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符合的藏品
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宋十二名家法書 冊 李建中書諮
於肥厚之內，猶有唐代顏真卿、徐浩之風。可知趙孟頫所謂「西台書去唐未遠，猶有唐人餘風」之言不虛。本幅選自「宋十二名家法書」冊第一幅。&*Li Chien-chung (style name Te.....more
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民國臺靜農臨漢簡 軸
神氣勢了無遜色。所以靜老不禁自贊：「此不知何年習作簡書，放大書之，居然能不失漢人筆意」。 本件為臺靜農先生遺贈。 &* T’ai Ching-nung (style name Po-chien.....more
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五代後蜀滕昌祐牡丹 軸
with another artist, Tiao Kuang-yin. His painting style is meticulous and beautiful, rich in detail.....more
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宋李唐畫四時山水 冊
，設色雅麗，尤稱佳作。 &*Li T'ang (style name Hsi-ku) was from Meng County in Honan. He entered the Imperial.....more
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唐顏真卿祭姪文稿 卷
. By the first half of the 8th century, however, the dignified and imposing manner of High T'ang calligraph.....more
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唐顏真卿祭姪文稿 卷
. By the first half of the 8th century, however, the dignified and imposing manner of High T'ang calligraph.....more
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明夏昶清風高節圖 軸
-1470) Ming Dynasty Hsia Ch’ang (style name Chung-chao; sobriquets Tzu-tsai chü-shih and Yü.....more
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明彭年錢榖鶴林玉露一則書畫合璧...
一歲，錢穀五十八歲。彭年於書成之次年即物故矣。 &* Ch’ien Ku was a native of Ch’ang-chou. His style name was Shu-pao.....more
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唐李昭道春山行旅圖 軸
fine yet strong lines to delineate the land, following in the “blue-and-green” landscape style.....more
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宋人書司馬光拜左僕射告身 卷
of Ssu-ma Kuang. The style of calligraphy in this document is in the thin and tensile manner associated.....more
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