宋李唐畫四時山水 冊
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- 資料識別：
- 故畫001115N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 李唐
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅一 8x26.5公分、對幅一 14.5x26.4公分、本幅二 7.7x27.3公分、對幅二 14.1x27.2公分、本幅三 15.2x24.4公分、對幅三 15.2x24.4公分、本幅四 7.7x25.2公分、對幅四 14x25.2公分、後副葉 8x25公分
- 關聯：
- 石渠寶笈三編（延春閣），第三冊，頁1476&*故宮書畫錄（卷六），第四冊，頁9&*故宮書畫圖錄，第二十二冊，頁58-61&*This set of album leaves, bearing neither seal nor signature of the artist, was later ascribed to Li T'ang, a Sung dynasty court artist active from the reign of Hui-tsung into the early Southern Sung. In its history, this set entered the collection of the Ch'ing court, which is why it has the imperial seals and inscribed verse of the Chia-ch’ing Emperor (r. 1796-1820) and is also impressed with inner court collection seals. Two of the leaves are shown here. The imperial seals on the former, as they appear, are: Shih-ch'ü pao-chi, Pao-chi san-pien, Chia-ch'ing yü-lan chih pao, Chou-chia yen-hsi chih pao, and Chia-ch'ing. In order, those on the latter are Chia-ch'ing chien-shang, San-hsi t'ang ching-chien hsi, I tzu-sun, Chia-ch'ing yü-pi, and Jih-chien tsai-tzu.&*1.王耀庭，〈宋李唐梅齋罨翠〉，收入王耀庭編，《淵明逸致特展圖錄》（臺北：國立故宮博物院，1988年初版），頁100。 2.王耀廷，〈傳宋李唐梅齋罨翠〉，收入國立故宮博物院編輯委員會編，《文學名著與美術特展》（臺北：國立故宮博物院，2001年初版），頁144-145。 3.〈宋李唐梅齋罨翠〉，收入劉芳如主編，《書畫裝池之美》（臺北：國立故宮博物院，2008年初版一刷），頁104-105。 4.林莉娜，〈宋李唐江舟釣雪〉，收入林莉娜、張華芝編，《冬景山水畫特展圖錄》（臺北：國立故宮博物院，1989年元月初版），頁57-58。 &*李唐（西元一○四九－一一三○年），河南孟縣人，字晞古。生於仁宗皇祐元年，死於高宗建炎四年。在徽宗皇帝時入畫院，建炎年間為待詔，擅長山水人物。 此冊畫四時山水，依籤題序為第一，畫喬松梅齋，春溪泊舟。第二，畫碧荷晴波，柳榭招涼。第三，畫秋色離離，曲徑巖關。第四，畫凍雲積雪，江舟獨釣。畫幅上下高度狹窄，構景成橫向發展。四幅畫風略異，其中第一幅筆墨精謹，設色雅麗，尤稱佳作。 &*Li T'ang (style name Hsi-ku) was from Meng County in Honan. He entered the Imperial Academy of Painting during the reign of the emperor Hui-tsuug, and in the late 1120s became a Painter-in- Attendance. He excelled in landscape and figure painting. This album comprises paintings of the four seasons. The first of these paintings is a depiction of stately pines, plum trees, small houses, and a skiff which floats on the spring stream. The second portrays a watery expanse of green lotuses, above which rises a willow-shaded pavilion where some gentlemen enjoy the coolness. The third is an autumn scene in which a winding trail disappears into a mountain pass. The fourth is a snowy landscape, where a man in a sloitary boat is fishing in the river. Within the confines of the narrowness of these paintings, the compositions are developed horizontally. The style of each piece is slightly different, and the first painting is considered particularly superb. The brushwork is masterful, and the coloring is exquisite.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
