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明劉廣畫端陽景 軸

明劉廣畫端陽景 軸

name Yüan-p’o, was a native of Ch’ang-chou (modern Soochow, Kiangsu). He was a capable painter.....more

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明沈周書中秋詩 卷

明沈周書中秋詩 卷

in 1489 at the Shuang-o Monastery. Although the Boston scroll is not dated, the poem says "Shu-an and I.....more

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元柯九思畫大士 軸

元柯九思畫大士 軸

-yin Chapter" from the Lotus Sûtra. Although the signature of K'o Chiu-ssu (the famous Yü.....more

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宋四家法書 卷 宋蘇軾書次韻三舍人省上詩

宋四家法書 卷 宋蘇軾書次韻三...

Shih (style name Tzu-ch'an; sobriquet Tung-p'o) was a native of Mei-shan, Szechuan. He received his.....more

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五代南唐李坡風竹 軸

五代南唐李坡風竹 軸

曳,舊傳為李坡作品。然以竹葉出枝,與焦墨枯筆畫法論,頗似元人作風。 &*Li P’o, a native of Nan-ch’ang in Kiangsi, excelled at painting.....more

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清呂世宜隸書 軸

清呂世宜隸書 軸

。 本幅為林宗毅先生捐贈。 &* Lü Shih-i (style name K’o-ho, sobriquet Hsi-ch’un) was a native of Chin-men.....more

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明人佛頂心大陀羅尼經 冊

明人佛頂心大陀羅尼經 冊

of the scroll preaching to devout followers. At the end of the work is a depiction of the Wei-t'o deity.....more

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明人便面畫冊(四) 冊 明胡德位茶梅寫生

明人便面畫冊(四) 冊 明胡德...

-wei’s monochrome ink technique was derived from the style of Sun K’o-hung (1532-1610). The turns.....more

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元人秋林瑞靄 軸

元人秋林瑞靄 軸

of Kao K'o-kung (1248-1310). Here, however, the brushstrokes are slightly weaker and the gradation.....more

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元高克恭群峰秋色 軸

元高克恭群峰秋色 軸

0年),本為西域人,後移居燕京。字彥敬,號房山老人。 畫中峰巒多用淡墨淺色皴染,主峰用墨最重,山頂並綴以橫筆「米點」,有水墨淋漓之趣。石綠、石青之漬染潤厚秀雅,顯得峰巒更為渾厚穩重。&*Kao K'o.....more

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宋郭熙觀碑圖 軸

宋郭熙觀碑圖 軸

of Ts'ao Ts'ao and Yang Hsiu of the Han dynasty Viewing the Ts'ao-o Stele. The traditional.....more

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明陳栝獻歲祥霙 軸

明陳栝獻歲祥霙 軸

tzu (style name) was Tzu-cheng, his hao (sobriquet) T’o-chiang, and he was the son of Ch’en Ch’un.....more

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明孫克弘畫端陽景 軸

明孫克弘畫端陽景 軸

,已沒骨法寫菖蒲、石榴、蜀葵等當令花草,用色雅淡,為克弘寫生佳作。 &* Sun K’o-hung, style name Yün-chih, sobriquet Hsüeh-ch.....more

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墨林拔萃 冊 元方從義惠山舟行圖

墨林拔萃 冊 元方從義惠山舟行...

. In landscapes, following the styles of the Two Mi's and Kao K'o-kung. Praised for his noble.....more

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清蔣廷錫墨牡丹 軸

清蔣廷錫墨牡丹 軸

as Grand Secretary of the Wen-hua Hall. Before taking office, he befriended Ku Hsüeh-p’o.....more

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