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符合的藏品

清冷枚人物畫幅 軸

清冷枚人物畫幅 軸

perspective and highlight and shadow. Leng Mei’s works also show a strong sense of coloration.....more

421/1397
清宣宗御題畫馬 軸

清宣宗御題畫馬 軸

there is no artist’s signature, the style of this painting, shows the influence of the Jesuit painter.....more

422/1397
清金廷標絲綸圖 軸

清金廷標絲綸圖 軸

to depict the folds of the men’s clothing. 本幅 87x61.7公分、詩塘 39.7x61.7公分、全幅 80公分 類型:繪畫 型式:靜態圖像 金廷標 數位.....more

423/1397
唐徐浩書朱巨川告身 卷

唐徐浩書朱巨川告身 卷

intment" is issued to an individual as official notice of assignment to government office. Hsü’s.....more

424/1397
唐李昭道湖亭遊騎 軸

唐李昭道湖亭遊騎 軸

landscapes in the style invented by his father. The two Li's are equally famous and are usually referred.....more

425/1397
宋郭熙早春圖 軸

宋郭熙早春圖 軸

to express a complete idea of nature's forms under these seasonal conditions.....more

426/1397
宋李公麟免冑圖 卷

宋李公麟免冑圖 卷

but was hopelessly outnumbered. The advancing army heard of Kuo’s fame and requested a meeting. Kuo boldly dropped.....more

427/1397
元人魚藻圖 軸

元人魚藻圖 軸

of the paper. The cloth's texture has been utilized for the scales of the fish to give a more realistic effect.....more

428/1397
宋李成寒江釣艇 軸

宋李成寒江釣艇 軸

of Shantung. Ink landscape painting peaked in the Five Dynasties and early Sung, with Li’s level.....more

429/1397
集古名繪 冊 宋李唐大江浮玉

集古名繪 冊 宋李唐大江浮玉

. The use of brush and ink is similar to those in Kuo Hsi's Early Spring, while the spacious.....more

430/1397
宋趙伯駒漢宮春曉 軸

宋趙伯駒漢宮春曉 軸

of the painter's days. 本幅 41.4x35.5公分、全幅 66公分 類型:繪畫 型式:靜態圖像 趙伯駒 數位化執行單位:國立故宮博物院 宋趙伯駒漢宮春曉 軸 故畫000076N000000000.....more

431/1397
宋人觀音大士 軸

宋人觀音大士 軸

條也比較粗,這些表現手法都和宋代不同,它應該是一幅後人臨摹宋代觀音的作品。&*Kuan-yin's blue hair drapes over the shoulders in this work.....more

432/1397
明文嘉畫瀛洲仙侶 軸

明文嘉畫瀛洲仙侶 軸

n landscape. In his use of the brush and ink he preferred the harmonious to the beautiful. Wen Chia’s.....more

433/1397
明陸治天池石壁 軸

明陸治天池石壁 軸

blossom. Lu Chih’s sharp, needle-like texture strokes give the scenery an even more spirited feel.....more

434/1397
元朱德潤雪溪歸棹 軸

元朱德潤雪溪歸棹 軸

painter he molded in the tradition of the 11th century master Kuo Hsi. Chu's brushwork was rich and moist.....more

435/1397

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