符合的藏品

共找到 12 筆符合的資料

明仇氏杜陵內史畫白衣大士像　軸

and figure painting. In this work, the White-robed Kuan-yin sits on a large blue lotus blossom rising.....more

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畫錄（卷五），第三冊，頁341&*故宮書畫圖錄，第六冊，頁349-350&*Late Spring in A Forested Valley T’ang Yin (1470-1523) Ming.....more

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手肘都用淡墨細筆鉤畫，十分細緻，可是其他部分則隨手寫來，瀟灑奔放。全作不遵循佛教圖像規矩，文人的色彩濃厚，是觀音畫的另一類型。&*Kuan-yin of the Lotuses Shao Mi (fl.....more

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inscription. The style is derived from Chou Ch’en, but T’ang Yin has added long texture strokes, a mark.....more

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-shang Yin.” It may be that “Shu-shang” was Chang’s style name, “Chih Feng” either a place name.....more

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Yin Xi saw a purple mist come from the east, surmising that a sage was coming. Not long thereafter.....more

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劈皴為長皴，山石皴法筆調靈活。人物沉浸於磅礴山水之中，以無聲畫作表現有聲詩境。 (20110913)&* Tang Yin (style names Ziwei and Bohu; sobriquet.....more

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decided to travel west through the Han Valley Pass. The Pass Commissioner, Yin-hsi, noticed a trail.....more

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County (modern Lien-shui), retiring not long thereafter. At the age of 28, he traveled to Soochow.....more

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the influence of T’ang Yin, while the coloring is close to that of Ch’iu Ying. Active at the end of the Ming.....more

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beauty, there is a weathered crispness to the blossoms and the stalk. The long inscription was also.....more

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) was a native of Chiang-yin, Kiangsu province. He was quite talented and became famous for his poetry.....more

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