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符合的藏品

明人便面畫冊(四) 冊 明胡德位茶梅寫生

明人便面畫冊(四) 冊 明胡德...

tones are well controlled, creating a flavor of richness and vitality which reveals many different. 本幅.....more

46/398
漢史晨前碑 軸

漢史晨前碑 軸

of the characters are well prepared, making this ideal for starting to study clerical script.....more

47/398
明邵彌畫山水 冊 樹下獨坐

明邵彌畫山水 冊 樹下獨坐

in Kiangsu. He was known for poetry as well as calligraphy, which was based on the styles of Yu Shih-nan.....more

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清黃應諶陋室銘圖 軸

清黃應諶陋室銘圖 軸

bright and beautiful. His mountain peaks, architecture and flowing streams are all well-composed.....more

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宋元集繪 冊 宋惠崇秋渚文禽

宋元集繪 冊 宋惠崇秋渚文禽

was a native of chien-yang, Fukien, or from Hui-nan according to another account. Equally well-known.....more

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集珍壽古 冊 元喬仲常閒庭嬰戲

集珍壽古 冊 元喬仲常閒庭嬰戲

is well-depicted; portrayed in various actions. Their manners and attitudes are filled with vitality.....more

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明董其昌臨蘇軾黃庭堅帖 卷

明董其昌臨蘇軾黃庭堅帖 卷

in Nanjing. In his leisure time from official duties, he enjoyed doing painting and calligraphy as well.....more

52/398
明人祝壽書畫合璧 冊 二月春光

明人祝壽書畫合璧 冊 二月春光

’en Tao-fu in the handling of brush and ink as well as in the feeling conveyed by the paintings.....more

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清赫奕晴嵐晚翠 軸

清赫奕晴嵐晚翠 軸

and represent especially well a moist, airy atmosphere. Ridges and peaks are massive and grand, and a sense.....more

54/398
清郎世寧十駿犬蒼水? 軸

清郎世寧十駿犬蒼水? 軸

. The painter is especially well-known for his rendering of figures, flowers, birds and larger-than-life.....more

55/398
清郎世寧畫十駿犬斑錦彪 軸

清郎世寧畫十駿犬斑錦彪 軸

.The painter is especially well-known for his rendering of figures, flowers, birds and larger-than-life size.....more

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清郎世寧十駿犬金翅獫 軸

清郎世寧十駿犬金翅獫 軸

is especially well-known for his rendering of figures, flowers, birds and larger-than-life size.....more

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清郎世寧畫十駿犬驀空鵲 軸

清郎世寧畫十駿犬驀空鵲 軸

. The painter is especially well-known for his rendering of figures, flowers, birds and loger-than-life.....more

58/398
清王雲仿李營丘寒林鴉陣圖 軸

清王雲仿李營丘寒林鴉陣圖 軸

and movement as well as silence and sound. This scene embellished with jackdaws is a message for change.....more

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元人嘉禾圖 軸

元人嘉禾圖 軸

,莖葉茂盛,稻穗飽滿沉重,顯現出豐收的預兆。在用筆上,除稻穗外,都用花青和赭石以沒骨法染畫而成。嘉禾頂立在畫幅中央,構圖非常單純,主題強烈,有著簡樸而新頃之感。&*A particularly well.....more

60/398
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