符合的藏品

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宋緙絲萱蓉芝秀圖　軸

as a blessing for longevity. The weaving in this tapestry is compact and refined. Various “propping” color.....more

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. The weaving here is exceptionally fine. Colored threads suggest the colors of a painting for modeling, m.....more

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. The weaving in this work is even and natural in its variations, the manipulation of the shuttle similar.....more

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their weaving. In other words, “more thread” could be added to a chore each day. In this somewhat fanciful.....more

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a volumetric effect in weaving the warp threads. Color propping was also used to make the variations.....more

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silkworms and weaving cloth). According to a colophon written in 1739 by the Ch’ien-lung emperor (r.....more

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lackluster appearance, while the material in the weaving is coarser and heavier. The weaving, however.....more

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methods, weaving techniques, and auspicious content all into one. The mature skill here also makes.....more

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and weft threads have been reversed, so that after weaving, the work was turned upside down and mounted.....more

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in an everlasting spring” and “riches in halls of jade.” The skill in the weaving is masterful.....more

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a popular weaving method at the time. &*1.童文娥，〈緙絲紫芝仙壽圖〉，收入童文娥主編，《緙絲風華 — 宋代緙絲花鳥展圖錄》（臺北：國立故宮博物院，2007年初版一刷），頁75.....more

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, relatives of crickets, and they are known as “weaving ladies”. Like crickets, they are active.....more

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