符合的藏品

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集古圖繪　冊　唐周昉蠻夷執貢圖

and dagger worn at the waist reveal his foreign origins. The ibex is distinguished by its long, curving.....more

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around the waist of the pillar, coalesce with the glistening light of the waves. The texture.....more

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robe. Two gourds hang from his waist as he holds a broom. With his mouth open, he already seems.....more

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'tung-tuz bows at the waist in reverence while sixteen lohans converse, walk, watch and do obeisance.....more

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with a gourd and string of cash tied around his waist. A large, three-legged toad of immortality sits on his.....more

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in front of his chest, bending over at the waist, and hunching his shoulders as if to ward off the cold.....more

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plummets downward; a horizontal band of clouds encircles the waist of the mountain. Below the trees.....more

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waist with decorative openings and long legs with runners, the space between which is rendered.....more

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’ai t’ung-tzu bends at the waist with hands together in obeisance seeking the Bodhisattva’s teachings.....more

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Bian Wu’s calligraphy. Using his “jade waist” inkstone and “fox hair” brush, he calligraphed.....more

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his waist is a coarse cord, the Bible and scepter he originally held now replaced by a wooden staff.....more

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and tree were done in Ma Ho-chih's famous “wasp-waist” strokes, which fluctuate between thick and thin.....more

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Chih, she is described as a “winsome and graceful” beauty with “slender shoulders and waist walking.....more

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