符合的藏品

共找到 24 筆符合的資料

明邊文進春花三喜　軸

高立竹上，引頸啼鳴，若加喝阻，不知何術乃能得此無人之態。叢竹、杜鵑紅綠相映，坡石莎草回護有情。筆墨傅彩，極樸摯穩厚。 &*Pien Wen-chin, style name Ching-chao.....more

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riding his ox indeed appeared and, at the request of Yin-hsi, wrote down his famous Tao-te ching.....more

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;an-te era and served in the Jen-chih Hall. In landscapes, he followed the styles of Sung masters.....more

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and left behind at Han Valley Pass the famous Tao-te-ching in 5,000 characters. After finishing it, he got.....more

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the great calligrapher Wang Hsi-chih exchanging a transcription of the Tao-te-ching for a white.....more

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School painter Chu Te-jun (1294-1365) of the Yüan dynasty. &*李成（西元九一六—九六七年），唐朝皇室後裔，五代山東人。五代北宋初為水墨.....more

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物活動細節的描寫，運筆快速的雲頭皴與強烈對比的墨色暈染，瀟灑有氣勢。此種筆墨變化趣味，正是明代宮廷繪畫的主要特徵之一。&*Ma Shih (style name Ching-chan.....more

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能辦。惟筆墨與邊景昭不類。款字與項元汴印，皆後人所增。 &* Pien Wen-chin, style name Ching-chao, was a native of Sha county.....more

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邊氏不類，款字為後人所增添。 &* Pien Wen-chin’s original name was Ching-chao. He was a native of Sha-hsien, Frkien.....more

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