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符合的藏品
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元人雜書 卷 虞集書翰
當代第一。 本幅行書尺牘，結字偏長，行筆秀健，近唐大家虞世南之風。虞集傳世墨跡極少，此牘彌足珍貴。 &* Yu Chi (style name Po-sheng) was a native.....more
- 76/125
明丁雲鵬畫釋迦牟尼佛 軸
(sobriquet) was Sheng-hua Chü-shih. He excelled at painting Buddhist and Taoist figures, deriving.....more
- 77/125
明項聖謨山水小景 軸
幅近景高山聳立，兩山間隱見遠處房舍竹林，為深遠式構景；三幅為一角式構圖，主題古廟坡石偏居右下角，隔江沙洲綿延，一片江天遼闊之景。&* Hsiang Sheng-mo, a native.....more
- 78/125
明董其昌書春日行 軸
-chih's two prefaces, Lan-t'ing and Sheng-chiao. Certain aspects from other calligraphers, however.....more
- 79/125
清惲向秋亭嘉樹圖 軸
(1586-1655) was a native of Wu-chin in Kiangsu. His personal name was originally Tao-sheng and his style.....more
- 81/125
明文徵明書蘭亭敘 卷
-sheng and Heng-shan chü-shih. He was known by his style name in later years. An accomplished .....more
- 82/125
清唐岱風雨歸舟圖 軸
was Yü-tung, and sobriquets Ching-yen, Chih-sheng, and Mo-chuang. T’ang acted as superintendent.....more
- 83/125
元明書翰第十五冊 冊 明文徵明...
the style name Zhengzhong and the sobriquets Tingyun sheng and Hengshan jushi. Excelling at poetry.....more
- 84/125
清沈荃書唐人早朝詩 軸
in the art of calligraphy. Shen Ch'uan was once summoned to an audience with the Sheng-tsu Emperor.....more
- 85/125
明朱芾蘆洲聚雁圖 軸
-chou-sheng) was a native of Hua-t'ing, Kiangsu. Early during the Hung-wu period (1368-1398), he held.....more
- 88/125
清弘?翠巘高秋圖 軸
following Yang Sheng’s brushwork (Yang was a T’ang artist who initiated the use of the boneless method.....more
- 90/125