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明人便面畫冊(四) 冊 明趙文俶墨梅

明人便面畫冊(四) 冊 明趙文...

從旁側出延展。構圖明簡、墨瀋淋漓。用筆寫意,卻神態古秀,頗饒姿韻。  本幅為「明人便面畫冊四」第十六開。 &*Wen T’i’s name is given as Shu in Wu-sheng.....more

1246/1259
主要品名:仿蘇焯端陽嬰戲圖

主要品名:仿蘇焯端陽嬰戲圖

資料:http://www.npm.gov.tw/exhbition/bir0401/chi0401/s-main4.htm | 收藏著錄 畫心尺寸:65cm×51cm 創作時間(西曆):2002 創.....more

1247/1259
主要品名:晚牧

主要品名:晚牧

,目視前方,正因其斗笠為風吹去。水牛、牧童而外,前景為以重墨帶水之筆寫出之水草,遠景則為以虛淡筆墨所寫成之水草。統覽此作,畫家以倒「S」型之結構作圖,其間並以些陴H墨雜草破之,使其構圖更見變化。 印記.....more

1248/1259
主要品名:飛泉

主要品名:飛泉

:立軸 說明:這幅「飛泉」圖,有著智者樂水,即是即非,隨心滋長,萬物茁壯之感,在畫面的經營上,不是傳統典型的移動視點空間表現方式,而是以景近和景遠的差別來佈置安排畫面,以「S」型表現水的流勢,既寫實又.....more

1249/1259
明文徵明陸治書畫合璧 卷

明文徵明陸治書畫合璧 卷

poetry's classical prose, calligraphy, and painting. He was a close friend of Chu Yün-ming.....more

1250/1259
明文徵明真蹟 卷

明文徵明真蹟 卷

, Wen focused on a central point to create a clever illustration of Po Chu-i's (772-846) masterpiece.....more

1251/1259
清王炳仿趙伯駒桃源圖 卷

清王炳仿趙伯駒桃源圖 卷

concept of immortality. The bright coloring and fine brushwork of Wang’s style correspond to those.....more

1252/1259
宋趙伯駒阿閣圖 軸

宋趙伯駒阿閣圖 軸

to the Museum's The Chien-Chang Palace, an anonymous Yüan painting. This grand yet delicate palatial.....more

1253/1259
元方從義神嶽瓊林圖 軸

元方從義神嶽瓊林圖 軸

and the dots and lines of the slopes and trees all have a free and unbridled sense. Fang's landscapes.....more

1254/1259
宋人翠竹翎毛 軸

宋人翠竹翎毛 軸

parable to pines in winter and bamboo in frost. This work thus provides an understanding of what Li’s.....more

1255/1259
五代人雪漁圖 軸

五代人雪漁圖 軸

a monk's hut with the scent of tea, And drink wine with abandon in a tavern with girls. Late at night.....more

1256/1259
明仇英春遊晚歸圖 軸

明仇英春遊晚歸圖 軸

that of a similarly titled painting by Tai Chin (1388-1462) in the early Ming. However, Ch’iu's style.....more

1257/1259
清王原祁仿王蒙夏日山居圖 軸

清王原祁仿王蒙夏日山居圖 軸

of Wang Meng (1308-1385). At the top of the painting is Wang Yűan-ch’i’s inscription dated to 1694.....more

1258/1259
明沈度隸書歸去來辭 軸

明沈度隸書歸去來辭 軸

since. Shen's clerical script in this work is strong. The brushwork is even and the ink is dark.....more

1259/1259
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