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符合的藏品

名畫琳瑯 冊 明姚綬竹樹春鶯

名畫琳瑯 冊 明姚綬竹樹春鶯

position, which the has managed to capture so skillfully. 本幅 63.3x30.4公分、對幅 63.3x30.4公分、全幅 71.5x78公分 類型:繪畫.....more

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名畫琳瑯 冊 明陸治雪後訪梅

名畫琳瑯 冊 明陸治雪後訪梅

not to do so, Lu Chih created a more personal image.&*1.王耀庭、張華芝,〈明陸治雪後訪梅〉,收入王耀庭、張華芝編,《明陸治作品展覽圖錄》(臺北:國立故宮.....more

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宋元四家書 冊 元歐陽玄書五言古詩

宋元四家書 冊 元歐陽玄書五言...

to that of Su Tung-p'o. It is angular and free-flowing, quite different from the ordinary. 本幅 25.....more

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明邊文進歲朝圖 軸

明邊文進歲朝圖 軸

the top. The brushwork, however, differs from other known specimens from the hand of Pien Wen-chin, so.....more

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明商喜戲貓圖 軸

明商喜戲貓圖 軸

to utilize whatever a good subject matter. In the painting, ants are rendered so lifelike.....more

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明張宏百祿圖 軸

明張宏百祿圖 軸

the characters “deer” and “prosperity” are homonyms, so are the characters “cypress” and “hundred.....more

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歷朝名繪 冊 宋馬和之古木流泉 

歷朝名繪 冊 宋馬和之古木流泉...

defined, but the middle of the lines clearly thicker and rounded. This is the so-called “free and easy.....more

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歷朝名繪 冊 宋馬和之清泉鳴鶴 

歷朝名繪 冊 宋馬和之清泉鳴鶴...

, but the middle of the lines clearly thicker and rounded. This is the so-called “free and easy running brushwork.....more

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清王原祁倣王蒙山水 軸

清王原祁倣王蒙山水 軸

the mountains, while the landscape is so densely painted that it could not ‘contain a needle.’ Both.....more

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歷朝畫幅集冊 冊 宋惠崇秋浦雙鴛

歷朝畫幅集冊 冊 宋惠崇秋浦雙...

among the previous generation.” In addition, one of Hui-ch'ung's paintings inspired Su Tung-p'o (1036.....more

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唐宋元畫集錦 冊 宋崔愨杞實鵪鶉

唐宋元畫集錦 冊 宋崔愨杞實鵪...

nor signature of the artist, so further study is necessary to determine if it is indeed by Ts'ui.....more

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歷朝畫幅集冊 冊 宋馬麟暗香疏影

歷朝畫幅集冊 冊 宋馬麟暗香疏...

branch and bamboo leaves, and ever so lightly can be seen the white buds and green calyxes.....more

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紈扇畫冊 冊 宋李嵩月夜看潮圖

紈扇畫冊 冊 宋李嵩月夜看潮圖

by Empress Yang, quoting from the poetry of Su Shi in his "Watching the Tide on the Mid-Autumn Festival.....more

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清董邦達翠岩紅樹御題 軸

清董邦達翠岩紅樹御題 軸

myriad clusters of mountains broken by paths form a winding, complex composition. Executed in the so.....more

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宋元集繪 冊 元朱德潤松澗橫琴

宋元集繪 冊 元朱德潤松澗橫琴

of scholars, which is why it is seen so often in Chinese painting. A Ming dynasty text states.....more

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