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清郎世寧白鶻圖　軸

painted this picture. 本幅 123.8x65.3公分、全幅 89公分清高宗乾隆十六年（1751）類型:繪畫型式:靜態圖像郎世寧數位化執行單位:國立故宮博物院清郎世寧白鶻圖.....more

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into the picture plane from the right. The use of color is very consistent and has an air of archaic.....more

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elements in one part of the picture, they were sometimes referred to as “One-corner Ma” or “Half-side.....more

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and asked Ch’ien to paint a picture accordingly. The long scroll, viewed from right to left, reveals.....more

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, intersecting and separating, enter the picture plane from the left. The flowers, some in full bloom.....more

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his own style. In his inscription, Tung Ch’i-ch’ang states that he was inspired to paint the picture.....more

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omens. The brushwork is steady and strong and the use of color is elegant and refined. The picture.....more

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-pen to paint the “Picture of the Eighteen Scholars.” Starting in the sung dynasty (960-1279.....more

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