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清郎世寧白鶻圖 軸

清郎世寧白鶻圖 軸

painted this picture. 本幅 123.8x65.3公分、全幅 89公分 清高宗乾隆十六年(1751) 類型:繪畫 型式:靜態圖像 郎世寧 數位化執行單位:國立故宮博物院 清郎世寧白鶻圖.....more

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清黃慎王旼序榮集繪 冊 白梅茶花

清黃慎王旼序榮集繪 冊 白梅茶...

into the picture plane from the right. The use of color is very consistent and has an air of archaic.....more

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宋馬遠乘龍圖 軸

宋馬遠乘龍圖 軸

elements in one part of the picture, they were sometimes referred to as “One-corner Ma” or “Half-side.....more

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明彭年錢榖鶴林玉露一則書畫合璧 卷

明彭年錢榖鶴林玉露一則書畫合璧...

and asked Ch’ien to paint a picture accordingly. The long scroll, viewed from right to left, reveals.....more

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名賢妙蹟 冊 宋馬遠倚雲仙杏

名賢妙蹟 冊 宋馬遠倚雲仙杏

, intersecting and separating, enter the picture plane from the left. The flowers, some in full bloom.....more

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明董其昌葑涇訪古圖 軸

明董其昌葑涇訪古圖 軸

his own style. In his inscription, Tung Ch’i-ch’ang states that he was inspired to paint the picture.....more

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清郎世寧聚瑞圖 軸

清郎世寧聚瑞圖 軸

omens. The brushwork is steady and strong and the use of color is elegant and refined. The picture.....more

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清姚文瀚摹宋人文會圖 卷

清姚文瀚摹宋人文會圖 卷

-pen to paint the “Picture of the Eighteen Scholars.” Starting in the sung dynasty (960-1279.....more

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