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元明書翰第五十一冊 冊 明文彭書詩

元明書翰第五十一冊 冊 明文彭...

, leisurely style differs from the more formal, powerful one of Zhu Yunming.(20100102) 本幅一至四 26.5x13.7公分、本幅五至八.....more

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明文徵明書太上常清靜經 冊

明文徵明書太上常清靜經 冊

was known as one of the Four Great Masters of the Ming. Wen specialized in all the major script types.....more

437/747
明王寵摹東方朔像贊 冊

明王寵摹東方朔像贊 冊

Cheng-ming, he was one of the Three Talents of Soochow. Wang's calligraphy followed after.....more

438/747
清超揆杜牧詩意圖 軸

清超揆杜牧詩意圖 軸

the attention of the K'ang-his Emperor (r. 1662-1772) during one of his southern tours of inspection.....more

439/747
清楊大章畫額摩鳥 軸

清楊大章畫額摩鳥 軸

stories about the bird abounded. After the Emperor acquired one from a foreign ship in 1774, he.....more

440/747
元明書翰第十五冊 冊 明文徵明草書千字文

元明書翰第十五冊 冊 明文徵明...

, prose, calligraphy, and painting, in the latter he studied under Shen Zhou and eventually became one.....more

441/747
清允禧江山秋霽 卷

清允禧江山秋霽 卷

be considered one of Yün Hsi’s best works. 本幅 21.5x215.8公分、隔水一 9.4公分、隔水二 9.3公分 類型:繪畫 型式:靜態圖像 愛新覺羅允禧 數位化執.....more

442/747
清程志道眉香萬年 冊

清程志道眉香萬年 冊

before the viewer’s eyes, inticing one to actually roam in the landscape before him. 本幅 32.8x30.2公分.....more

443/747
藝林清賞 冊 清瑛寶畫荷

藝林清賞 冊 清瑛寶畫荷

is a depiction of a pond in one corner with withering autumn lotuses and leaves. Light ink and colors.....more

444/747
明董其昌臨月儀帖 卷

明董其昌臨月儀帖 卷

with copying, one could later strive and find personal direction. The modelbook copied here with examples.....more

445/747
宋元明人合璧 冊 宋劉松年柳橋雪閣

宋元明人合璧 冊 宋劉松年柳橋...

at one side. A fine layer of snow dusts the branches of the old, arching willows, and light green.....more

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清人繡觀音大士像 軸

清人繡觀音大士像 軸

;ņdarâvasinī is able to stop calamities and increase one’s longevity. &*1.葛婉章,〈清人繡觀音大士像〉,收入葛婉章編.....more

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明董其昌臨鍾王帖 冊

明董其昌臨鍾王帖 冊

such models required both distance and closeness, meaning that one should be neither too similar nor.....more

448/747
明董其昌書千文 冊

明董其昌書千文 冊

sidered the best of his time. This album was written in 1611 when Tung was fifty-seven sui, already one.....more

449/747
清王原祁山水 軸

清王原祁山水 軸

was painted when Wang Yűan-ch’i was fifty-eight years old. Painted in the “one river, two banks” format.....more

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