符合的藏品

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明仇英上林圖　卷

is an interpretation of the “Ode on the Shang-lin Imperial Park” by Ssu-ma Hsiang-ju. At the end.....more

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depicts a scene described in "Latter Ode on the Red Cliff" by the great Sung poet Su Shih, who is shown.....more

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of "Ode on Shanglin Park" by Sima Xiangru (179-117 BCE) for the Han emperor Wudi, the ode uses.....more

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Rehmannia Broth, the fifth Wang Xianzhi’s Revering Ancestors, the sixth Chu Suiliang’s Ode.....more

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erful officials at court, so Emperor Hsuan-tsung awarded him a white feather fan. Chang composed an ode.....more

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variations emerged. In this work, the first section is a transcription of "Homecoming Ode.....more

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. Also at times it shows drawn out brush force, giving the calligraphy much vigor. “Ode on a Lofty.....more

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. However, comparing this seal with the authenticated ones on Ode to Pied Wagtails by Hsüan-tsung.....more

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探微約活動於西元五世紀中期，他以善畫人物故實得名，在當時被認為承先啟後的大畫家。本幅絕對不是五世紀的畫風，可能是十三世紀以後的作品了。&*The author of "Homecoming Ode.....more

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“Ode on Bitter Bamboo Shoots” from the Chinese age of 55, making this most likely from his later.....more

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。&*Ssu-ma Hsiang-ju of the Han dynasty (206 BC-220 AD) composed Ode in the Imperial Forest (Shang.....more

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and classical. It later was referred to as the "Academy Style". Homecoming Ode was written by the famous.....more

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. Yang Wei-chen wrote this ode on high quality paper with good ink when he was sixty-six after he had.....more

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