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元倪瓚王蒙合作山水　軸

」，倪瓚照原畫仿作一幅贈送友人文伯，便是本幅。後王蒙在橘廣文處見此作品，並在畫上點綴增補，於是成了此幅合作山水。&*Ni Tsan, a native of Kiangsu, and Wang Meng.....more

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名人書畫扇（壬）　冊　明倪瑛坐...

竹齋竹譜作画。　　一人坐松樹下，觀圉人洗馬。畫法從周臣、唐寅一路而來，筆意瀟洒，亦有情趣。 &* Ni Ying, style name Po-yuan, was a native of Kun.....more

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明倪元璐題畫詩　軸

生捐贈。 &*Ni Yüan-lu, a native of Shang-yü, Chekiang, was a Presented Scholar (chin-shih.....more

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花卉畫冊　冊　明項元汴竹石幽蘭

to paint himself. He studied the landscape painting of Huang Kung-wang and Ni Tsan of the Yüan dynasty.....more

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元倪瓚江亭山色　軸

。秋林蕭瑟，坡岸縱橫，構景若星羅棋布，用筆用墨，渾然天成，但覺作畫之時，點擦皴染，筆筆若不相涉，而既成之後，則呼應靈動，關合甚嚴，所謂信手拈來，都成妙諦也，是雲林老年精品。七十二歲畫。&*Ni Tsan.....more

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元倪瓚畫竹　軸

。竹一枝，蕭蕭數筆，清淡而娟美。款與王蒙具區林屋同，皆為日章畫。日章不知何許人，此幅題云：「沈君雅有臨池興。」或日章姓沈云。&*Ni Tsan's style-name was Yü.....more

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元倪瓚容膝齋圖　軸

較多，中鋒多於側筆，近坡皴多染少，皴筆亦特覺清勁。&*Ni Tsan (tzu Yüan-chen, hao Yün-lin, Yü-weng) was a native.....more

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明陸治山水　卷

the styles of the Yuan scholar-artists Wang Meng and Ni Tsan, progress was even easier for him.....more

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集古圖繪　冊　元倪瓚畫竹石

七十歲。畫山石竹木，著意無多而筆墨極為秀挺，是雲林暮年精品。&*Ni Tsan was a native of Wu-hsi, Kiangsu. Naturally refined.....more

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元張雨題倪瓚像　卷

style of Ni Zan. According to the inscription of praise by Zhang Yu, we learn that this is a portrait.....more

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元張雨題倪瓚像　卷

style of Ni Zan. According to the inscription of praise by Zhang Yu, we learn that this is a portrait.....more

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元倪瓚雨後空林　軸

的一件著色畫。構圖比起他尋常多留空白的習慣，要複雜許多，加上自己的題字，和別人寫的跋語，幾乎把全幅填滿了，確實是倪瓚風格裡難得的特例。&*Ni Tsan, a native of Kiangsu.....more

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明項元汴善才頂禮　軸

landscapes were modelled after the Yüan masters Huang Kung-wang and Ni Tsan. He also turned his.....more

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元明人題錢譜雜文　冊　倪中書長...

出元末亂世文人之胸懷。本幅行楷書長歌，用筆古樸，時參章草筆法，與宋克書風甚有淵源，顯示出元末明初松江地區之書風，以脫出趙孟頫之籠罩，自成一格。&*Ni Chung (act. Second half.....more

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清王翬倣倪瓚畫山水　軸

. In this painting, Wang Hui has taken the methods of Ni Tsan (1301-1374) for depicting the mountains.....more

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