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元顧安倪瓚合作古木竹石　軸

brushstrokes. Ni Tsan was a native of Wu-hsi, Kiangsu province. His style name was Yuan-chen and his sobrique.....more

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元倪瓚畫譜　冊

，甚為可貴。&*Ni Tsan, a native of Kiangsu province, came from a wealthy family and had a studio in which.....more

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元趙孟頫窠木竹石　軸

basic strokes of standard script. According to Ni Tsan's (1301-1374) colophon, this painting.....more

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元方?墨竹　軸

, but in vain. He was an intimate friend of his contemporary, Ni Tsan. Both the bamboo and stones.....more

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元倪瓚江亭山色　軸

。秋林蕭瑟，坡岸縱橫，構景若星羅棋布，用筆用墨，渾然天成，但覺作畫之時，點擦皴染，筆筆若不相涉，而既成之後，則呼應靈動，關合甚嚴，所謂信手拈來，都成妙諦也，是雲林老年精品。七十二歲畫。&*Ni Tsan.....more

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元倪瓚容膝齋圖　軸

較多，中鋒多於側筆，近坡皴多染少，皴筆亦特覺清勁。&*Ni Tsan (tzu Yüan-chen, hao Yün-lin, Yü-weng) was a native.....more

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元倪瓚松林亭子　軸

作稍異。&*Ni Tsan was a native of Wu-hsi, Kiangsu. One of his sobriquets was Yün-lin, and he.....more

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元倪瓚雨後空林　軸

的一件著色畫。構圖比起他尋常多留空白的習慣，要複雜許多，加上自己的題字，和別人寫的跋語，幾乎把全幅填滿了，確實是倪瓚風格裡難得的特例。&*Ni Tsan, a native of Kiangsu.....more

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元倪瓚脩竹圖　軸

元四大家之一。橫梢一枝，得清簡之韻。挺然數筆，體勁秀之情。此不徒具竹之形貌，兼且得竹之性情。而雲林寫竹，猶有似蘆之誚，真沒奈觀者何矣。此圖成於洪武甲寅二月六日，年七十四歲，即於是年十一月卒。&*Ni.....more

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元倪瓚紫芝山房圖　軸

圖〉，收入國立故宮博物院編，《元四大家》（臺北：國立故宮博物院，1975年初版，1976年二版，1984年三版），頁55-56。 &*Ni Tsan, a native of Kiangsu.....more

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元倪瓚筠石古槎圖　軸

of the Four Great Masters of the Yüan, Ni Tsan is also known by his style name Yüan-chen.....more

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元倪瓚畫竹　軸

。竹一枝，蕭蕭數筆，清淡而娟美。款與王蒙具區林屋同，皆為日章畫。日章不知何許人，此幅題云：「沈君雅有臨池興。」或日章姓沈云。&*Ni Tsan's style-name was Yü.....more

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元吳鎮洞庭漁隱　軸

, excelled at painting landscapes and flowers-and-bamboo. Along with Huang Kung-wang, Ni Tsan.....more

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元吳鎮雙松圖　軸

Zhen along with Huang Gongwang, Ni Zan, and Wang Meng were known as the Four Yuan Masters. Against.....more

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元吳鎮清江春曉　軸

of the "Four Great Masters" of the Yüan dynasty, along with Huang Kung-wang, Ni Tsan, and Wang.....more

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