搜尋:ming 在 水墨 分類當中

符合的藏品

清戴本孝山水冊 冊

清戴本孝山水冊 冊

Tai Pen-hsiao (1621-1693) Ch’ing Dynasty The father of Tai Pen-hsiao, a native of Anhwei, was a Ming.....more

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清周凱青鐙課讀圖 軸

清周凱青鐙課讀圖 軸

the Yüan and Ming dynasties, especially Wang Yüan-ch’i (1642-1715) of the “Four Wangs.....more

467/806
五代梁關仝畫山谿待渡圖 軸

五代梁關仝畫山谿待渡圖 軸

and brush suggest it is an imitation by a Ming dynasty (1368-1644) painter. Kuan T'ung, a native.....more

468/806
元俞和臨王帖 軸

元俞和臨王帖 軸

as famous as his contemporary, Sung K'o. The Ming calligrapher Sung Yüeh (1447-1513) said of Y.....more

469/806
元方?墨竹 軸

元方?墨竹 軸

of the Ming dynasty, Fang fled to the Pao-an monastery in I-hsing. He was a wonderful painter.....more

470/806
元楊維禎歲寒圖 軸

元楊維禎歲寒圖 軸

histories of the Sung (960-1279), Liao (907-1125), and Chin (1115-1234) dynasties. When the Ming.....more

471/806
元戴淳匡廬圖 軸

元戴淳匡廬圖 軸

terrain, thus lending mass to their primeval forms. Stylistically, the works of the late Ming-early Ch.....more

472/806
五代前蜀貫休羅漢 軸

五代前蜀貫休羅漢 軸

influence on later representations. Though this is attributed to him, the style suggests it is a Ming.....more

473/806
遼蕭瀜畫花鳥 軸

遼蕭瀜畫花鳥 軸

to that of other works by the Ming court artist Lü Chi (fl.1439-l505) rather than that of the 11th century. 本幅.....more

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五代後蜀黃筌竹梅寒雀圖 軸

五代後蜀黃筌竹梅寒雀圖 軸

, this painting was executed by a Ming dynasty (1368-1644) artist who imitated the style of Pien Wen-chin and L.....more

475/806
五代南唐王齊翰采芝仙 軸

五代南唐王齊翰采芝仙 軸

, and the brushwork of the underlying preliminary sketch is still evident. In the Ming Dynasty (13680.....more

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五代南唐周文矩荷亭奕釣仕女圖 軸

五代南唐周文矩荷亭奕釣仕女圖 ...

to Chou Wen-chü, the style and forms all reveal the those of the Ming (1368-1644) and Ch'ing (1644.....more

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宋人清江漁隱 軸

宋人清江漁隱 軸

;an (1279-1368) or early Ming (1368-1644). 本幅 151.5x111.1公分、全幅 125公分 類型:繪畫 型式:靜態圖像 數位化執行單位:國立故宮博物院 宋人清江漁隱 軸.....more

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元趙淇周伯琦相鶴圖經合璧 卷

元趙淇周伯琦相鶴圖經合璧 卷

Yuan. Excelling at calligraphy, Chou composed plaques in clerical script. In the early Ming (1368.....more

479/806
五代南唐周文矩畫明皇會棋圖 卷

五代南唐周文矩畫明皇會棋圖 卷

態。&*The Ming-huang emperor (Hsüan-tsung) of the T'ang was fond of popular forms.....more

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