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元趙孟頫萬柳堂圖 軸

元趙孟頫萬柳堂圖 軸

塘邊,有位文士騎馬來訪,庭院內三位文士已聚萬柳堂中,即將興起文會的高潮。全幅不論楊柳、人物、房舍都以極細膩的筆法描繪,精緻清雅。&*Chao Meng-fu, a scion of the Sung.....more

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元唐棣山水 軸

元唐棣山水 軸

. 1068-1077) and Chao Meng-fu (1254-1322), recapturing the serenity and majesty of these masters' works.....more

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元趙雍畫馬 卷

元趙雍畫馬 卷

Chung-mu), to whom this work is traditionally attributed, was the son of Chao Meng-fu (1254-1322.....more

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元王淵寒江蘆雁 軸

元王淵寒江蘆雁 軸

under Chao Meng-fu (1254 -1322). Thus his paintings tend to return to ancient models but without.....more

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明張元士畫水仙 軸

明張元士畫水仙 軸

remind one of those by Chao Meng-chien (fl. 1226-1290). It is a pity that no literary record.....more

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明王紱古木竹石 軸

明王紱古木竹石 軸

,雖著筆無多,而自挺然傑出。 &*Wang Fu was a native of Wu-hsi, Kiangsu. His tzu (style name) was Meng-tuan; his.....more

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明陶成菊花雙兔圖 軸

明陶成菊花雙兔圖 軸

Chrysanthemums T’ao Ch’eng (fl. 15th c.) Ming Dynasty T’ao Ch’eng had two style names, Meng-hsü.....more

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明陳裸竹溪花塢圖 軸

明陳裸竹溪花塢圖 軸

, calligrapher and painter. His landscape style was after those of Chao Ch’ien-li, Chao Meng-fu and Wen.....more

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元王淵秋山行旅圖 軸

元王淵秋山行旅圖 軸

Tan-hsuan) came from Hangchou in Chekiang. He studied painting with Chao Meng-fu and mastered.....more

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明王紱獨樹圖 軸

明王紱獨樹圖 軸

局甚簡,而用筆圓勁,墨色濃郁,覺與吳鎮有溪壑相通處。 &*Wang Fu was a native of Wu-hsi, Kiangsu. His style name was Meng-tuan.....more

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清艾啟蒙畫山貓 軸

清艾啟蒙畫山貓 軸

致細勁,敷彩雅淡。 &* Ignace Sichelbart was a Bohemian Jesuit, who was given the Chinese name Ai Ch’i-meng.....more

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元俞和書陶潛詩(二) 冊

元俞和書陶潛詩(二) 冊

calligraphic models. In his early years, he had the chance to see the famed Chao Meng-fu do calligraphy.....more

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元人舊蹟 冊 朱德潤致吳季實教諭尺牘

元人舊蹟 冊 朱德潤致吳季實教...

for the characters all reveal the influence of Chao Meng-fu, but Chao's use of a rounded brush was more elegant. Chu.....more

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元人法書 冊 張雨書七言絕句 

元人法書 冊 張雨書七言絕句 

early study of Chao Meng-fu's style. The arrangement is open, revealing an appearance of peace.....more

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元人舊蹟 冊 郭畀書七言律詩

元人舊蹟 冊 郭畀書七言律詩

of calligraphy derives from that of Chao Meng-fu and he enjoyed traveling with scholar-friends. The size.....more

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