搜尋：left 在水墨分類當中

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符合的藏品

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元人畫春堂琴韻　軸

, a figure plays the zither while another listens. A figure approaches in the lower left accompanied.....more

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元倪瓚竹樹野石　軸

a penchant for cleanliness. After the age of 40, he left his family and led a life of wandering. Ni Tsan.....more

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元王淵三白圖　軸

left unpainted, creates a pure and fresh atmosphere. 本幅 171.8x104.4公分、全幅 127.1公分類型:繪畫型式:靜態圖像王淵.....more

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元陳仲仁百祥圖　軸

" and "three sheep heralding vernal season." In the lower left of the painting, the artist has inscribed his.....more

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元人華嚴海會圖　軸

Buddha preaching the Avatamsaka (Hua-yen) Sûtra to an assembly of figures in the middle left.....more

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元張渥畫十六臂大士像　軸

painted fastidiously. The signature of Chang Wo appears in the lower left corner. However, when.....more

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元馬琬畫秋江釣艇　軸

and ink is spirited and the overall tone is refined. The artist's inscription on the upper left.....more

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元王蒙長江萬里圖　卷

王蒙之名的作品。&*This handscroll as it unfolds from right to left reveals scenery along the Yangtze River.....more

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宋人畫佛像　軸

to Buddha expound the law. The three-faced, six-armed male figure in the middle-left is Asura.....more

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宋馬遠松間吟月　軸

the entire painting with a misty atmosphere. Although the painting is signed “Ma Yuan” in the lower left.....more

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明仇英畫移竹圖　軸

of refined beauty. In the lower left is the signature "Made by Shih-fu (Ch’iu Ying)." Ch’iu Ying, one.....more

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明仇英畫觀世音菩薩　軸

of volume. Although the seal and signature of Ch’iu Ying appear along the left border, the quality.....more

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明戴進畫山水　軸

with the Li-Kuo style, forming the early Ming Che School style. In the mid-upper left is the artist’s.....more

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明丁雲鵬畫莊嚴大士瑞像　軸

; no detail of the clothing pattern has been left out. Furthermore, the exposed parts of the body.....more

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明周之冕花竹鵪鶉　軸

on the left side of the painting offer a poetic dimension of appreciation for the viewer. 本幅 111.7x29.7公.....more

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left 在 水墨 分類當中 的相關搜尋

left 在水墨分類當中的相關搜尋