搜尋:i~A 在 水墨 分類當中

符合的藏品

明陳嘉言端陽景 軸

明陳嘉言端陽景 軸

with the holiday. This painting was rendered using the hsieh-i, or free brush method. The painter used dots.....more

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清鄒一桂畫芙蓉 軸

清鄒一桂畫芙蓉 軸

霜寒,畫上題詩所謂「拒霜」,即其別名。&* Tsou I-Kuei, a native of Kiangsu province, excelled at flower paintings.....more

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明董其昌倣顏真卿書 軸

明董其昌倣顏真卿書 軸

,但結字秀美,字間行距特別寬綽,是他自己特有的風格。 &* Tung ch’i-ch’ang was a native of Hua-t’ing (modern Shanghai) and a chin.....more

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明顧懿德春綺圖 軸

明顧懿德春綺圖 軸

talking leisurely, lie half-hidden by the thick forest. In his landscapes Ku I-te (whose style name.....more

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明項聖謨三祝圖 軸

明項聖謨三祝圖 軸

Yüan-pien. His tzu (style name) was K’ung-chang, his hao (sobriquets) I-an and Hsü-shan-ch.....more

170/438
清顧大申秋日山居圖 軸

清顧大申秋日山居圖 軸

seems to have evolved from that of Tung Ch’i-ch’ang (1555-1636), but is neater and more precise.....more

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清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

strokes in painting the mountains is especially successful. Wang Yüan-ch’i painted the landscape.....more

172/438
清董邦達蘇堤春曉 軸

清董邦達蘇堤春曉 軸

and later served as minister of the Board of Rites. He started his landscape paintings with Tung Ch’i-ch’ang.....more

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清董邦達南屏晚鐘 軸

清董邦達南屏晚鐘 軸

paintings with Tung Ch’i-chang of the Ming dynasty as his model. He captured the brushwork.....more

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清王原祁山川煥采圖 軸

清王原祁山川煥采圖 軸

發,層次分明,結構嚴謹。畫山畫樹,狀似草草,而筆墨精練,實從錘鍊中出也。&* Wang Yűan-ch’i, a native of Kiangsu province.....more

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清方琮石壁秋林 軸

清方琮石壁秋林 軸

texture stroke methods of the early 18th century painter Wang Yüan-ch’i. Furthermore.....more

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清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

painter he was a student of both Huang Ting (1660-post.1730) and Wang Yüan-ch’i (1642-1715.....more

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清張宗蒼松陰高士圖 軸

清張宗蒼松陰高士圖 軸

(1660-1730), he thereby absorbed the style of Huang’s teacher, Wang Yüan-ch’i (1642-1715). In 1751.....more

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清錢載畫墨梅御題 軸

清錢載畫墨梅御題 軸

and died 1793. His style name was K’un-i and his sobriquets Tuo-shih, P’ao-tsun, and Wan-sung Chü.....more

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清錢維城畫梅茶水仙 軸

清錢維城畫梅茶水仙 軸

in the fine and delicate painting style of Tsou I-kuei (1688-1772) combined with an emphasis.....more

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