符合的藏品

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元顧安平安磐石　軸

studied Chao Meng-fu's (1254-1322) writing styles. His ink bamboo painting were executed.....more

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controlled and delicate brushwok, while this painting is first-rate in the use of ink.&*從畫面上來看，枇杷樹的.....more

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are outlined in light ink and the water with washes of greyish-green. The composition is simple yet refined.....more

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. Radiant and stately, the Nymph of the Lo River stands here upon a puff of cloud floating above mist.....more

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a touch of green remaining, stands erect on a steep and lonely slope. The overall mood is one.....more

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refined scholars. The brushwork for the towering rocks is powerful yet fluid while the contrast in ink.....more

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. Streams flow deep in the mountains, while forests rise in close layers. The use of brush and ink.....more

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attendant stands next to her holding the fish basket. Though Kuan-yin here is supposed to be a young maiden.....more

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excelled at painting landscapes and especially figures. A Lake Tai garden rock stands prominently.....more

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Ming dynasty painter. A tube rose stands next to a crab-apple tree. As an expression of his emotion.....more

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the trees reveals access to the mountain peak. A Taoist figure on the path stands on top of a rock.....more

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