搜尋:ink 在 水墨 分類當中

符合的藏品

清周璕畫馬 軸

清周璕畫馬 軸

was drawn in outline, then covered with hematite and ink washes, then coated thinly with soot.....more

361/710
明唐寅畫嵩山十景 冊

明唐寅畫嵩山十景 冊

overflow with a classical aura of brush and ink. The last leaf of this work done by Tang at the Chinese.....more

362/710
清丁觀鵬畫文殊像 軸

清丁觀鵬畫文殊像 軸

of it in ink and ordered Ting Kuan-p’eng to add colors, the entire project taking seven months before.....more

363/710
清張照書御製插秧吟 軸

清張照書御製插秧吟 軸

, rich ink, but betray some weakness in brushwork. This perhaps resulted from the fact that most.....more

364/710
清徐燦畫瓶蓮大士 軸

清徐燦畫瓶蓮大士 軸

of the Northern Sung. In her late years she specialized in ink paintings of Kuan-yin. According to tradition.....more

365/710
清金廷標瑤圃採芝圖 軸

清金廷標瑤圃採芝圖 軸

south, Chin presented him with an album of Lohan in pai-miao (ink outline) and was subsequently given.....more

366/710
清錢維城夏山欲雨 軸

清錢維城夏山欲雨 軸

used to depict the layered mountains, trees, and rocks, as well as the use of ink, are all stylized.....more

367/710
清張宗蒼畫雪景御題 軸

清張宗蒼畫雪景御題 軸

of mountains is entirely substantial. The use of short brush strokes, dry ink and repeated texture.....more

368/710
五代南唐巨然寒林晚岫圖 軸

五代南唐巨然寒林晚岫圖 軸

to the label. However, the brushwork and use of ink resembles more closely that of Chiang Shen (early.....more

369/710
元趙孟頫留犢圖 卷

元趙孟頫留犢圖 卷

to bid him farewell. At the end to the left is a signature of Chao Meng-fu. The brush and ink differ.....more

370/710
宋郭熙秋山行旅圖 軸

宋郭熙秋山行旅圖 軸

scenery. Furthermore, the compositional arrangement as well as the use of brush and ink in this work.....more

371/710
民國溥儒白描觀音 軸

民國溥儒白描觀音 軸

, Chang Dai-chien. In this painting done in outlines of monochrome ink, the Kuan-yin Bodhisattva stands.....more

372/710
清陳年紅梅 軸

清陳年紅梅 軸

complex but not chaotic. The brushwork is unbridled, the ink tones rich and moist, and the brush.....more

373/710
民國傅抱石雪意圖 軸

民國傅抱石雪意圖 軸

in spirited brushwork, both moist and dry. The moist ink of the foreground trees and rocks creates.....more

374/710
清戴本孝山水冊 冊

清戴本孝山水冊 冊

of rocks and trees but with more watery ink. Tai’s description of earthen forms often conceals outlines.....more

375/710

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