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明董其昌書斯干之什　軸

－七八二年）書風，結字端凝，布字行間略呈傾側，筆墨醇厚，勁力內蘊，皆自徐出，然清逸秀整之氣韻，則有過之。&*Tung Ch'i-ch'ang (style name was Hsü.....more

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the size of this work. However, I had never attempted a work on such a large scale, so I did not know where.....more

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on a boat owned by Hsü Ching, who had been recommended for the metropolitan examination from Chiang.....more

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，致令全畫饒具色澤明麗，與詩情洋溢之美。　　 &* Hsiang Sheng-mo (style name K’ung-chang; sobriquets I-an, Hsü-shan ch.....more

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Province, followed the “boneless” (wash) manner of the Northern Sung artist Hsü Ch'ung-ssu (fl.....more

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of that scene. 　Ch'ien Hsüan was a "left-over (i-min)" painter of the Sung dynasty who lived.....more

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Yen Hung-tzu (fl. 1736-1795) Ch’ing Dynasty Yen Hung-tzu (style name; P’i-hsü) was a native.....more

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) and later in the Wu-ying Hall during the Hsüan-te era as a Painter-in-Attendance.....more

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was the leading easayist and poet of the “Six Gentlemen of P'i-ling” and was one of the most outstanding artists.....more

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above. Zhong Kui was known for his disfigured looks, so when he saw himself by chance in a mirror, he.....more

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