搜尋:i shih 在 水墨 分類當中

符合的藏品

清王原祁倣米芾雲山 軸

清王原祁倣米芾雲山 軸

. A grandson of Wang Shih-min (1592-1680), Wang Yűan-ch’i is included among the Four Great Masters of the Ch.....more

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清王原祁畫山水 冊 仿米氏雲山

清王原祁畫山水 冊 仿米氏雲山

Shih-min (1592-1680), Wang Yűan-ch’i is included among the Four Great Masters of the Ch’ing Dynasty.....more

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清王原祁畫中有詩圖 軸

清王原祁畫中有詩圖 軸

、吳歷等來訪,而吳歷不至王所已二十年。佳節相逢,與會可想,因作此圖。筆墨精妍,設色雅澹,滿紙韶秀之氣,異於他作。氣機之間,大與墨井相近。是鷺臺經構。 &*Wang Yűan-ch’i, style.....more

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清沈荃書周元公太極圖說 軸

清沈荃書周元公太極圖說 軸

Scholar (chin-shih) of the K’ang-hsi reign and served as Vice Minister of Rites. Good at poetry.....more

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墨林拔萃 冊 五代戴嶧逸牛圖

墨林拔萃 冊 五代戴嶧逸牛圖

令之收藏過的。 &*Tai I was the younger brother of Tai Sung; both were famous for their paintings of water.....more

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清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

-shih examination. Basing his painting style on those Tung Ch’i-ch’ang (1555-1636) and his father, he.....more

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明董其昌仿米瀟湘白雲 軸

明董其昌仿米瀟湘白雲 軸

》、《畫旨》、《畫禪室隨筆》諸書。對於後代的畫論及藝術發展影響甚鉅。   墨畫雲山數疊,喬林坡陀。通幅筆墨蒼厚腴潤,無論山皴、葉塊,皆神氣暢朗、秀潤蒼鬱。雖名仿摹,展現卻為己貌。&* Tung Ch’i.....more

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明董其昌倣張僧繇白雲紅樹 卷

明董其昌倣張僧繇白雲紅樹 卷

、硃砂、汁綠和赭墨交相點畫,筆觸輕盈爽朗,施色鮮麗而不傷雅秀。幅末自題云:「張僧繇沒骨山,余每每倣之,然獨以此卷為愜意,蓋緣神怡務閒時所作耳。」其自許如此。 &* Tung Ch'i-ch'ang.....more

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宋四家法書 卷 宋蘇軾書次韻三舍人省上詩

宋四家法書 卷 宋蘇軾書次韻三...

Shih (style name Tzu-ch'an; sobriquet Tung-p'o) was a native of Mei-shan, Szechuan. He received h.....more

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名人畫扇(下) 冊 清上睿山水

名人畫扇(下) 冊 清上睿山水

at the Tung-ch’an Temple. He organized a poets’ association with Hui Shih-ch’i and Chang Ta-shou.....more

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漢史晨前碑 軸

漢史晨前碑 軸

。 &*The Shih Ch’en stele is in the Temple of Confucius at Ch’ü-fu, Shantung. The stone, engraved on .....more

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明姚綬畫寒林?鵒 軸

明姚綬畫寒林?鵒 軸

ün-tung I-shih. At the beginning of the Ch’eng-hua period (1465-1488) he was a District Prefect.....more

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明姚綬畫竹 軸

明姚綬畫竹 軸

-shou; his sobriquets, Ku-an and Yun-tung-I-shih. In the mid-1460s he served as prefect of Yung-ning.....more

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清董邦達南屏晚鐘 軸

清董邦達南屏晚鐘 軸

was a native of Fu-yang, Chekiang Province. He received the chin-shih degree in 1733 and afterward.....more

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清方琮石壁秋林 軸

清方琮石壁秋林 軸

contemporaries Li Shih-cho and Fang Shih-shu. All there employed a style clearly evolved from the dry-brush.....more

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