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名畫琳瑯 冊 明項元汴墨蘭
,山水學元黃公望、倪瓚,尤醉心於倪,得其勝趣;又寫梅、蘭、竹石,頗有幽情逸致。 本幅畫幽蘭傍石而生。筆勢揮洒流暢,通幅以水墨成之,富於水份,雅淡天真,極具文人畫意。&*Hsiang Yü.....more
- 1/15
花卉畫冊 冊 明項聖謨梅花
-hsing, Chekiang) and the grandson of the art collector Hsiang Yüan-pien. Hsiang Sheng-mo’s family.....more
- 4/15
花卉畫冊 冊 明項元汴竹石幽蘭
」第六開。 &*Hsiang Yüan-pien (style name Tzu-ching, sobriquet Mo-lin chü-shih), a native.....more
- 5/15
明項聖謨孤山放鶴圖 軸
home. This is the subject here by Hsiang Sheng-mo, a native of Chia-hsing, Chekiang. In painting, he.....more
- 8/15
元王蒙秋山簫寺圖 軸
多。皴紋的用筆非常繁複,而毫不紊亂,特別能表現出山林茂密蒼鬱的感覺。 &* Wang Meng (style name Shu-ming, sobriquets Hsiang-Kuang ch.....more
- 9/15
元趙孟頫書晝錦堂記 軸
Sung-hsueh tao-jen; also known as Ou-p'o) was a native of Wu-hsing, Chekiang. Although he.....more
- 10/15
明項元汴善才頂禮 軸
逸致。 畫善才童子向空頂禮,惟見毫光一道,不見菩薩所在。故本幅雖云畫佛,實則仍是山水畫格局,此乃緣因元後佛教衰微,佛畫與一般人物畫無異,多與山水畫相配繪製。 &*Hsiang Yü.....more
- 11/15
宋錢選蘭亭觀鵝圖 卷
;an, style name Shun-chü, was a native of Wu-hsing, Chekiang. He is considered one of the Eight.....more
- 13/15