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符合的藏品

宋葉肖巖西湖十景圖 冊

宋葉肖巖西湖十景圖 冊

. Throughout, big axe-cut texture strokes are employed to model the mountains and rocks, while layers of wash.....more

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宋李唐江山小景 卷

宋李唐江山小景 卷

, but they are not formulaic “axe-cut” strokes. This characteristic of brush and ink had not reached the stage.....more

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明唐寅層巖策杖圖 軸

明唐寅層巖策杖圖 軸

been rendered with forceful and succinct axe-cut strokes that clearly define the features. &*  唐寅(西元一.....more

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明仇英秋江待渡 軸

明仇英秋江待渡 軸

of the rocks and mountains are similar to axe-cut texture strokes--thick but not lumpy, fine but not fragile.....more

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明史文玉蟾圖 軸

明史文玉蟾圖 軸

and resilience of steel. The large axe-cut texture strokes of the foreground rock are precise.....more

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宋范寬秋林飛瀑 軸

宋范寬秋林飛瀑 軸

we see the use of “axe-cut” texture strokes. This contrasts with the use of “rain-drop” texture.....more

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宋人畫調鶴采花仙 軸

宋人畫調鶴采花仙 軸

is also elegant and charming. The outlines for the rocks and cliffs, as well as the axe-cut texture.....more

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明唐寅畫山路松聲 軸

明唐寅畫山路松聲 軸

Tang manner from the Song dynasty. The pines twist and turn about with variations of “axe-cut.....more

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宋高宗書孝經馬和之繪圖 冊 諸侯章(畫)

宋高宗書孝經馬和之繪圖 冊 諸...

. The painting and calligraphy were originally in the form of a hand scroll, later being cut apart.....more

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元趙孟頫書朱子感興詩  卷

元趙孟頫書朱子感興詩  卷

from Wang hsi-chih, the clear-cut untrammeled mood of his writing from Wang Hsien-chih. However, Chao.....more

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元人獻壽圖 軸

元人獻壽圖 軸

their left and the painting is somewhat small, suggesting that it was once part of a set or perhaps cut down.....more

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宋賈師古大士像 軸

宋賈師古大士像 軸

rocks are modeled with axe-cut texture strokes ,and the brushstrokes are vigorous and unrestrained.....more

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明戴進畫羅漢 軸

明戴進畫羅漢 軸

detailed, conveying their spirit. The large “axe-cut” texture strokes of the cliffs are counterbalanced.....more

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元吳鎮後赤壁賦圖 軸

元吳鎮後赤壁賦圖 軸

used large "axe-cut" texture strokes to describe the towering cliff, and the brushwork.....more

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明唐寅溪山漁隱 卷

明唐寅溪山漁隱 卷

stroll with their staffs. Axe-cut texture strokes made with a centered-tip brush and moist ink.....more

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