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符合的藏品

唐王維江干雪意圖 卷

唐王維江干雪意圖 卷

brushwork here is closer in style to that of Chao Ling-jang (fl. ca. 1070-1100) of the Northern Sung.....more

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宋魯宗貴春韶鳴喜 軸

宋魯宗貴春韶鳴喜 軸

in the style of Pien Wen-chin and Lu Chi, While the use of color for the birds and flowers is even closer.....more

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宋黃庭堅書千文 卷

宋黃庭堅書千文 卷

is somewhat unrelated to Huang Tingjian, being closer instead to the style of the Ming dynasty.....more

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清方琮石壁秋林 軸

清方琮石壁秋林 軸

;an master Huang Kung-wang; however, his surviving paintings reveal a closer relationship to his.....more

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元黃公望巖壑幽居圖 軸

元黃公望巖壑幽居圖 軸

is not emphasized, being instead closer to a recombination of elements from Shen Zhou’s style and thus.....more

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元人畫虎 軸

元人畫虎 軸

to be closer to that of the Ming dynasty (1368-1644) painting academy. If so, it might have come from.....more

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元趙孟頫達摩像 軸

元趙孟頫達摩像 軸

to 1292, the careful style of painting appears closer to that of a late Wu School painter, making.....more

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明沈周倣倪瓚筆意 軸

明沈周倣倪瓚筆意 軸

is also different from the Ni Tsan manner and is closer to the “Landscape Painted when Drunk” for Liu Ch.....more

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宋郭熙畫雪景 軸

宋郭熙畫雪景 軸

and brushwork are far from those of Kuo Hsi, being closer to the style of the Ming. Kuo Hsi was a native.....more

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宋閻次平四樂圖 軸

宋閻次平四樂圖 軸

, this painting is much closer in style to the school of Yüan Chiang of the Ch'ing dynasty. Yen.....more

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清郎世寧畫玉花鷹 軸

清郎世寧畫玉花鷹 軸

the stand upon which the bird is perched. He also moved the focus closer to the viewer, revealing.....more

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明欽揖千巖萬壑圖 軸

明欽揖千巖萬壑圖 軸

Hsu and Ch’u Shui-liang, the calligraphy inscribed on this unusual scroll is closer to the style.....more

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宋燕文貴秋山琳宇圖 軸

宋燕文貴秋山琳宇圖 軸

, it is much closer in style to paintings of the Ming dynasty.&*本幅寫山峰林立,山谷中煙嵐留滯,似欲描寫山雨初收。澗壑奔流直瀉,小路迴曲.....more

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五代南唐巨然溪山林藪圖 軸

五代南唐巨然溪山林藪圖 軸

but was attributed to Chü-jan. The use of the brush and ink, however, is closer.....more

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宋高宗書孝經馬和之繪圖 冊 諸侯章(畫)

宋高宗書孝經馬和之繪圖 冊 諸...

of these paintings reveals them to be closer in style to that Li T'ang and Hsiao Chao, two other leading court.....more

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