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清李世倬對松山圖　軸

Ku-chai and Shih-chih chu-shih. A nephew of the great figure painting specialist Kao Ch'i-p'ei, he.....more

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, a native of Soochow, was influenced in calligraphy by the styles of Chu Yun-ming and Ts'ai Yu while.....more

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haic yet fresh and lively in appearance. This work was donated to the National Palace Museum by Mr. Chu.....more

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-chien (style name Tzu-ku; sobriquet I-chai chu-shih) was a native of Wu-hsing, Chekiang. He.....more

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冷的對比。&*There are many masterpieces of flower painting by Lu Chih, but not with birds, which he.....more

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Dynasty. Lu Chih (style name Shu-p'ing, sobriquet Paoshan) was from Wu County in Kiangsu. He enjoyed.....more

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，線條用筆圓勁中鋒。松、石造型規律，頗富圖案裝飾趣味。 &*Chang-hou, Ch’en Hung-shou was a native of Chu-chi, Chekiang. In his.....more

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Hung-shou was a native of chu-chi, Chekiang. A “left-over” subject of the Ming, he styled himself Hui.....more

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Ch'eng-ta(style name Chih-neng; sobriquet Shih-hu chu-shih) was a native of Wu-hsien. Receiving his.....more

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. His style name was Hsün-chih; he was also known as Yen-k’o, Hsi-lu lao-jen, Hsi-t’ien chu-jen.....more

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首以為詩畫共賞。「昔本釵頭玉，今為枝上花，只愁明月夜，非去復還家」。本幅為「明人便面畫冊（二）」冊第十一開。&*Lu Chih was a native of Soochow, Kiangsu.....more

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