搜尋:chao fu 在 水墨 分類當中

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宋高宗書孝經馬和之繪圖 冊 諸侯章(畫)

宋高宗書孝經馬和之繪圖 冊 諸...

into album leaves. Following the album are colophons by Sung Feng-ch'ou and Chao Meng-fu (1254-1322.....more

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元王蒙東山草堂圖 軸

元王蒙東山草堂圖 軸

Meng-fu, he successfully absorbed Chao's methods, yet was able to develop his own style, eventually.....more

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元王蒙谿山高逸 軸

元王蒙谿山高逸 軸

painter Chao Meng-fu (1254-1322) anddiligently studied as a youth. Wang Meng's painting style followed.....more

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元趙雍畫小春熙景 軸

元趙雍畫小春熙景 軸

, excelled at painting figures and horses. The son of the Chao Meng-fu, both of them were renowned.....more

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元王蒙芝蘭室圖 卷

元王蒙芝蘭室圖 卷

Mountain") was a native of Wu-hsing, present day Soochow. The grandson of Chao Meng-fu, he successfully.....more

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元趙孟頫窠木竹石 軸

元趙孟頫窠木竹石 軸

瓚跋中。&*Chao Meng-fu, a member of the Sung Imperial family, resided in Wu-hsing, Chekiang. His style.....more

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元陸繼善摹禊帖 冊

元陸繼善摹禊帖 冊

studied under Chao Meng-fu and learned to do tracing copies by the shuang-kou (outline) method. Lu used.....more

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宋元集繪 冊 元趙孟頫茅亭松籟

宋元集繪 冊 元趙孟頫茅亭松籟

。青綠與赭色的搭配,顯得沉厚中有一份古雅,襯托出萬般俱靜,但聞松籟,所謂天人合一的氣氛。&*Chao Meng-fu, a native of Chekiang province.....more

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宋四家真蹟 冊 宋黃庭堅致景道十七使君尺牘並和王仲至少監詠姚花詩四首

宋四家真蹟 冊 宋黃庭堅致景道...

, with Su Shih, Mi Fu, and Ts'ai Hsiang, was one of the Four Great Northern Sung Masters of calligraphy.....more

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元趙奕畫大士像 軸

元趙奕畫大士像 軸

-hsing, in Chekiang province. The son of Chao Meng-fu, Chao I chose to lead a hermetic existence over.....more

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元趙雍採菱圖 軸

元趙雍採菱圖 軸

尤為雅秀。樹木筆意,脫胎於李成郭熙一路。溪上菱舟,往來飄攸火,菱葉滿溪,密不容隙。而上幅留天幾及全圖之半,特有江天空曠之感。成於至正二年(西元一三四二年)十月,時年五十四歲。&*Chao Yung.....more

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元唐棣倣郭熙秋山行旅 軸

元唐棣倣郭熙秋山行旅 軸

studied under Chao Meng-fu, being influenced by his rich and archaic style. This wintry setting.....more

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元趙孟頫古木散馬圖 卷

元趙孟頫古木散馬圖 卷

公麟。 原野秋深,古木下散馬兩匹,無鞍韉之累,狀極幽閒自適。全幅以白描法為之,用筆古勁秀逸,流暢而有力,造景新奇蕭疏,具文人畫氣息。&*Chao Meng-fu was an 11th.....more

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明陸師道臨文徵明吉祥庵圖 軸

明陸師道臨文徵明吉祥庵圖 軸

of the works of Chao Meng-fu (1254-1322). 本幅 90.7x40.9公分、全幅 66公分 明神宗萬曆九年(1581) 類型:繪畫 型式:靜態圖像 陸師道 數位化執行單位.....more

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明唐寅花溪漁隱圖 軸

明唐寅花溪漁隱圖 軸

was written in the style of Chao Meng-fu (1254-1322) and is related to that on Conversation in the Women’s.....more

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