搜尋:cH 在 水墨 分類當中

符合的藏品

元陳仲仁百祥圖 軸

元陳仲仁百祥圖 軸

間,三童子衣著華麗,配飾精美。畫家以精謹筆法,處理細節,人物、羊隻之表現方式,實與一般開泰、嬰戲圖相當近似。&*Ch'en Chung-jen, the younger brother.....more

316/1306
宋郭熙關山春雪圖 軸

宋郭熙關山春雪圖 軸

was an excellent Painter of landscapes. Though he modelled his works on those of Li Ch'eng (916-967), his.....more

317/1306
明仇英畫觀世音菩薩 軸

明仇英畫觀世音菩薩 軸

一四九四-一五五二)的款印,但這件畫軸筆描線條的穩定性、描寫的精細程度,都和仇英有相當的差距,應是一件後人冒用仇英名字的作品。&*Kuan-yin Attributed to Ch’iu Ying.....more

318/1306
宋劉松年鬥牛圖 卷

宋劉松年鬥牛圖 卷

,會為緊張之勢可懾,專注忘我。通幅佈置得宜,人物表情刻劃真實,若聞吶喊聲,有身入其境之效果。&*Liu Sung-nien was a native of Ch'ieng-t'an, CheKiang.....more

319/1306
元王蒙會阮圖 卷

元王蒙會阮圖 卷

-shan-ch'iao) was a native of Wu-hsing (modern Huchou, Chekiang), and called himself Hsiang-kuang-ch.....more

320/1306
明仇英寶繪堂 軸

明仇英寶繪堂 軸

Paintings Hall”. Ch’iu Ying, a native of T’ai-ch’ang in Kiangsu, originally was a lacquer craftsman who.....more

321/1306
元王蒙松山書屋 軸

元王蒙松山書屋 軸

。此幀完成於至正九年,是王蒙四十二歲之作。&*Wang Meng (style name Shu-ming and Huang-he shan-ch'iao) called himself.....more

322/1306
明仇英畫觀音 軸

明仇英畫觀音 軸

四大家之一。 波濤洶湧,雲氣騰騰,觀音大士於崖穴中結跏趺坐,持物-澡瓶及柳枝閒置石上。善財童子彎腰禮拜,十六羅漢或談、或走、或觀、或拜,體態生動。面部鈎畫雖簡,但仍能捕捉各個人物性格。&*Ch'iu.....more

323/1306
五代南唐巨然松巖蕭寺 卷

五代南唐巨然松巖蕭寺 卷

of Chung-ling (present Nanking), Chü-jan was a monk at the K'ai-Yüan Temple. After.....more

324/1306
明沈士充畫郊園十二景 冊 掃花菴

明沈士充畫郊園十二景 冊 掃花...

畫,與一味臨摹古人的作品截然不同。&*Twelve Scenes from A Country Garden—Sao-hua Hermitage Shen Shih-ch’ung (active.....more

325/1306
宋蔡襄自書謝表並詩 卷

宋蔡襄自書謝表並詩 卷

〈1052年〉上親書「君謨」二字賜之,蔡襄獲此殊遇,表謝君恩,附以七言律詩一首。然其筆法姿媚,惟頓挫轉折之際,欠缺筆力,疑為後人倣作。&*Ts'ai Hsiang(style name Chü.....more

326/1306
唐人呂岩像 軸

唐人呂岩像 軸

an immortal, he was said to have been a beggar roaming about the capital of Ch'ang-an when he met Han.....more

327/1306
名畫琳瑯 冊 明仇英竹下聽泉

名畫琳瑯 冊 明仇英竹下聽泉

印,當出鑒藏者所定。竹樹雙鉤,人物俊秀。澗水用筆極生動,而清流遠引,曲折玲瓏,皆仇畫之出色當行者也。本幅選自「名畫琳瑯」冊。&*Ch'iu Ying was a native of Kiangsu.....more

328/1306
清王翬瀟湘聽雨圖 軸

清王翬瀟湘聽雨圖 軸

, and Ch’ing-hui chu-jen, was a native of Ch’ang-shu, Kiangsu. He was already a capable painter when he.....more

329/1306
清王原祁畫中有詩圖 軸

清王原祁畫中有詩圖 軸

、吳歷等來訪,而吳歷不至王所已二十年。佳節相逢,與會可想,因作此圖。筆墨精妍,設色雅澹,滿紙韶秀之氣,異於他作。氣機之間,大與墨井相近。是鷺臺經構。 &*Wang Yűan-ch’i, style.....more

330/1306