搜尋:blue, ink 在 水墨 分類當中

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明文徵明倣古山水 軸

明文徵明倣古山水 軸

for ink and brushwork, where the blue and green colors were used mainly to accentuate the overlapping.....more

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民國蕭俊賢青綠山水圖 軸

民國蕭俊賢青綠山水圖 軸

colors, followed by monochrome ink, and also excelled at the use of blue and green pigments.....more

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鳥譜(四) 冊 藍靛頦

鳥譜(四) 冊 藍靛頦

水墨鉤染,筆法寫意,花鳥則以工筆描繪,鳥毛絲絲入微,羽禽精詳寫實之狀,已融入西方表現質感、量感、立體感的技法,與乾隆朝法郎世寧畫法者頗為近似。 本幅為「鳥譜」第四冊第一開。 &*Blue.....more

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元人青山白雲 卷

元人青山白雲 卷

繪畫手法明顯受到元代文人畫家高克恭的影響,極富水墨趣味。&*In this handscroll appear peak after peak of blue-tinged mountains.....more

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元人寒林圖 軸

元人寒林圖 軸

added ink to the blue and ochre pigment. The spirit of a brooding winter pervades the painting. Though.....more

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清乾隆緙絲花鳥宮屏 軸

清乾隆緙絲花鳥宮屏 軸

is composed of complementary colored threads of blue, green, and ochre. The light, elegant hues impart.....more

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昇平樂事圖 冊 魁星

昇平樂事圖 冊 魁星

星踢斗題材,相傳魁星為主掌文運亨通之神。&*Young ladies hold a lantern in the form of a blue-faced figure with red hair.....more

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宋李唐江山小景 卷

宋李唐江山小景 卷

and ink in Li’s “Wind in Pines Among a Myriad Valleys.” This handscroll also features techniques of blue.....more

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明丁雲圖羅漢 冊

明丁雲圖羅漢 冊

, the composition and use of the brush and ink in his paintings all resemble the early style of Ting Y.....more

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清惲壽平摹古 冊 水仙

清惲壽平摹古 冊 水仙

outlines in the “baimiao” ink-line manner. The places where the blades turn are rendered with gentle ink.....more

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清唐岱畫墨妙珠林(申) 冊

清唐岱畫墨妙珠林(申) 冊

or in ink only. Starting with the blue-and-green Tang dynasty styles of Li Sixun and Li Zhaodao.....more

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明關思白雲紅樹 軸

明關思白雲紅樹 軸

eschewed ink in favor of colors--umber, vermilion, yellow, blue-green, and so on--applying them directly.....more

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元人嘉禾圖 軸

元人嘉禾圖 軸

of such grain with smaller clusters beside it. The artist has used an ink outline to depict the grain.....more

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唐人畫雪景 軸

唐人畫雪景 軸

and Li Ssu-hsün, the master of the blue and green landscape style, and Wang Wei, the master.....more

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清黃鉞繪時華紀瑞 軸

清黃鉞繪時華紀瑞 軸

here using dry lines and textures to which light ink from a moist brush was applied. Several Chinese.....more

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