符合的藏品

共找到 24 筆符合的資料

清董邦達畫谿山深雪圖　軸

墨染背景，留白成巨巖，而以細筆乾皴規律地分割紋理；刻畫枯枝草叢，細膩一如網脈。通幅表現靜態的裝飾美。 &* Tung Pang-ta (tzu Fu-ts’un, hao Tung-shan.....more

16/24

。　　本幅筆法鬆秀圓柔，墨色濃淡參差變化，景物的造型全由畫家自出心裁。主山脈呈螺貝狀堆疊上昇，煙嵐和簡筆勾成的樹叢屋宇橫越山巒，畫面上形成縱橫交錯的動態感。 &* Tung Pang-ta (tzu.....more

17/24

第一橋曰斷橋，界於前後兩湖之間。春雪未消，悉瓊林瑤樹，晶瑩朗澈。 &*Tung Pang-ta style name Fu-ts'un, sobriquet Tung-shan.....more

18/24

濡橋風雪中驢子上，此何以得之？」 &*Tung Pang-ta (1699-1769)(style name Fu-ts’un, sobriquet Tung-shan) was a native.....more

19/24

´in, was a native of An-chi, Chekiang province. His style names were Ch´ang-shih, Ts.....more

20/24

為瑞兆。大有此幀紈扇荷花，布局賦彩典雅，且蝶鳧成雙，顯然隱含祥瑞之意。&*Feng Ta-yu was a native of Suchou in Kiangsu. He took.....more

21/24

; sobriquets Fou-lu, K’u-t’ieh, P’o-he, Lao-fou, and Ta-lung) was a native of An-chi, Chekiang.....more

22/24

部尚書。工畫山水，喜宗法元人。　　本幅繪翠綠山嚴，層層疊嶂，紅樹輝映其間，色調極為強烈鮮明，山路逶邐而深入畫境，布局緊湊而有變化。 &*Tung Pang-ta style name Fu-ts.....more

23/24

失散，乾隆間又陸續轉入青宮，高宗喜此四卷之聚，因作贊並命董邦達繪圖以誌其事。 &* Tung Pang-ta (tzu: Fu-ts’un; hao: Tung-shan), was born.....more

24/24

第 2 頁

共 2 頁