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符合的藏品

宋勾龍爽山水 軸

宋勾龍爽山水 軸

bodies, clothes, and crowns, which all appear as if incised and tightly knit. In this painting.....more

136/450
清周璕畫馬 軸

清周璕畫馬 軸

. In this painting, all of the objects are grouped on the left side of the composition, leaving an empty.....more

137/450
明花卉畫冊 冊 明陳洪綬花卉

明花卉畫冊 冊 明陳洪綬花卉

, birds-and-flowers, and landscapes are all refined and display his own distinct style.....more

138/450
明唐寅畫嵩山十景 冊

明唐寅畫嵩山十景 冊

quite pleasing, while the trees and buildings, figures and boats, and even distant mountains all.....more

139/450
明陸遠摹古 冊 水閣觀流

明陸遠摹古 冊 水閣觀流

, all of which reveal Lu Yüan’s own personal style. Although he copied the brushwork and brus.....more

140/450
清沈源墨妙珠林(酉) 冊

清沈源墨妙珠林(酉) 冊

be done at Lingyan Pavilion. All life-size, he would often go visit to reminisce about the old days.....more

141/450
清錢維城畫豫省白雲寺圖 軸

清錢維城畫豫省白雲寺圖 軸

compound is shown with a stairway leading up to it and layers of rugged mountains in back, all revealing.....more

142/450
宋人法書(四) 冊 張即之上問尊堂太安人尺牘

宋人法書(四) 冊 張即之上問...

ability in calligraphy that he achieved fame all over the country. He was fond of writing gigantic.....more

143/450
元方從義山陰雲雪 軸

元方從義山陰雲雪 軸

been applied in many different ways, so that trees, rocks, mists, clouds, and mountains are all given.....more

144/450
宋郭熙秋山行旅圖 軸

宋郭熙秋山行旅圖 軸

and the “crab-claw” texture strokes for the branches in this painting all being linked to the spirit.....more

145/450
宋林逋手札二帖 冊 逋奉簡三君

宋林逋手札二帖 冊 逋奉簡三君

of Li Chien-chung(945-1013). All later critics of Lin's calligraphic style applaud the clarity.....more

146/450
元李衎雙松圖 軸

元李衎雙松圖 軸

sent to Chiao-chih, an area famous for its bamboo. There he made a careful study of all aspects.....more

147/450
元張渥瑤池仙慶 軸

元張渥瑤池仙慶 軸

attendants look up in amazement. The use of brush, ink, and coloring are all elegant and refined.....more

148/450
元方?墨竹 軸

元方?墨竹 軸

to light. On the embankment are thorns and pines. The concept is extremely pure, but while all.....more

149/450
五代南唐顧閎中畫韓熙載夜宴圖 卷

五代南唐顧閎中畫韓熙載夜宴圖 ...

Wen-chü. It is said that the subject of this painting, Han Hsi-tsai, was famous for his all.....more

150/450

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