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元趙孟頫七札 冊

元趙孟頫七札 冊

。&* Chao Meng-fu’s (1254-1322) running and regular scripts were largely based on the calligraphy.....more

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清董邦達繪御筆范成大分歲詞 軸

清董邦達繪御筆范成大分歲詞 軸

「分歲」。 &*Illustration of Fan Ch’eng-ta’s Poem “Dividing the Years” In the Emperor’s Calligraphy Tung.....more

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清陳士俊繪高宗御書范成大照田蠶行 軸

清陳士俊繪高宗御書范成大照田蠶...

。 &*Illustration of Fan Ch’eng-ta’s Poem “Caving for the Silkworms and Fields” in the Emperor’s Calligraphy Ch.....more

63/1259
明董其昌書斯干之什 軸

明董其昌書斯干之什 軸

were among Tung's contemporaries who also excelled at calligraphy, and they were known collectively.....more

64/1259
清緙絲邵彌書詩 軸

清緙絲邵彌書詩 軸

script by him. Shao’s signature to the left and his seals were also woven into the tapestry. The weaving.....more

65/1259
明湯煥遊西山詩 冊

明湯煥遊西山詩 冊

of this work describing T'ang's stay at Western Mountain on an autumn day is a colophon by Kao Shih.....more

66/1259
明文徵明花卉 冊 南國聯芬

明文徵明花卉 冊 南國聯芬

. These fluid lines suggest an endless sense of life. This is the 6th leaf from We's “Album of Flowers.....more

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元趙孟頫書蘇軾西湖詩 卷

元趙孟頫書蘇軾西湖詩 卷

. Chao Meng-fu's early calligraphy followed that of Sung Kao-tsung (1101-1187). Later, his small regular.....more

68/1259
元張舜咨畫樹石 軸

元張舜咨畫樹石 軸

,號櫟里子,工畫山水樹石。居官有能稱,政事之暇,焚香閉閣,怡情書畫,翛然無塵想。 兩樹一石,伴以荊條。坡山巖松數點,筆意略近鷗波,蒼老而能圓渾。&*Chang Shun-tzu's style.....more

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明人扇頭畫 冊 明陸治水墨山水

明人扇頭畫 冊 明陸治水墨山水

四七O-一五五九)學習,也在文徵明的指導下探索宋元畫家筆法。陸治此後能夠成就自己的風格,關鍵之一便在於此。&*Of Lu Chih’s surviving works, the only one.....more

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清王原祁畫松壑流泉 軸

清王原祁畫松壑流泉 軸

。&*The experienced use of the brush suggests that this painting was done during Wang Yüan-ch’i’s late.....more

71/1259
清羅廷禧畫百二十壽圖 軸

清羅廷禧畫百二十壽圖 軸

, the artist’s signature gives the name of the city Jinling (modern Nanjing). This work shows a huge.....more

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宋拓越州刻晉唐小楷 冊

宋拓越州刻晉唐小楷 冊

collection of Li Zonghan is a rubbing from Shi's original engraving. Compared to works in the National.....more

73/1259
清文點詩意圖 冊 彭澤罷官

清文點詩意圖 冊 彭澤罷官

oem Wen Tien (1633-1704) Ch’ing Dynasty (1644-1911) This scene depicts the line from T’ao Yuan-ming’s.....more

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明陸師道臨文徵明吉祥庵圖 軸

明陸師道臨文徵明吉祥庵圖 軸

the brushwork and coloring of this copy of Wen Cheng-ming’s (1470-1559) Studio of Auspiciousness.....more

75/1259
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