清文點詩意圖 冊 彭澤罷官
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- 資料識別：
- 故畫001202N000000001
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 文點
- 主題與關鍵字：
- 江河、湖海 高士（士人、隱士）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 26.9x27.6公分、全幅 26.9x27.8公分
- 關聯：
- 石渠寶笈初編（養心殿），上冊，頁503&*故宮書畫錄（卷六），第四冊，頁140&*故宮書畫圖錄，第二十四冊，頁150-153&*After a Poem Wen Tien (1633-1704) Ch’ing Dynasty (1644-1911) This scene depicts the line from T’ao Yuan-ming’s poem Returning Home that reads “Lingering to caress a solitary pine.” T’ao sits listening and watching as if he were at one with his natural surroundings. Extant paintings by Wen Tien reveal his aptitude for painting pines and demonstrate his fondness for using small ink dotting of “moss,” and here the trunk and branches of the tree are covered with this fine patterning. After a poem, although less than a square foot in size, stands out for its especially beautiful inkwork. Wen Tien, a native of Ch’ang-chou (present-day Soochow, Kiangsu), was a descendant of the famous artist Wen Cheng-ming (1470-1559). An accomplished poet and writer, he also excelled at painting and calligraphy. Wen’s landscapes were executed in the fine brushwork characteristic of his family’s style, and he created figure paintings and small scenes of pines and bamboo rendered in carefully wrought ink. Wen was furthermore known as a man of fine character who did not seek public recognition but merely sought to amuse himself and earn a small living with his skills as a painter and calligrapher.&*文點（西元一六三三－一七０四年），長洲（江蘇蘇州）人。文徵明後裔。為人清介，不求聞譽。工詩文，善書畫。山水能傳文氏家法，兼善人物，尤長松竹小品。 本幅選自文點「詩意圖」冊第一幅，取〈歸去來辭〉中「撫孤松而盤桓」之意而成。圖中陶淵明倚松坐石，凝眸駐耳，似與大自然合為一體。世傳，文點畫松極好點苔，此畫雖僅盈尺，而松樹幹枝細點密佈。全作筆細墨秀，為一文雅小品。&*Wen Tien, a native of Soochow, was a descendant of Wen Cheng-ming. Excelling at calligraphy and painting, his landscapes followed the family style, and he painted figures and especially small scenes of pines and bamboo. This is the 1st leaf of Wen Tien’s album poetic Illustrations and represents a line from T’ao Yuan-ming’s Homecoming; “Lingering to caress a solitary pine.” T’ao appears here listening and viewing as if at one with his natural surroundings. Extant works by Wen Tien reveal his preference for painting pines and using “moss” dots. Despite the size of this work, pine branches are rendered with intricate detail. The delicate brushwork makes this small, elegant work stand out even more.&*文點（西元一六三三－一七０四年），清代長洲人（今江蘇蘇州）。文徵明（一四七０－一五五九）子孫。工詩文，善畫畫。山水能傳文氏家法，用筆細秀，墨韻亦佳。兼善人物，尤長松竹小品，筆墨極其文雅，為人清介，不求聞譽，以書畫自娛給衣食。 此圖取「歸去來辭」中「撫孤松而盤桓」題意作畫。淵明凝眸駐耳，似與大自然結合成一體。世傳文點畫松極好點苔，此畫雖僅盈尺，松幹松枝，猶見細密小點，而畫筆精緻，秀麗是其特色。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
