搜尋:Style I 在 水墨 分類當中

符合的藏品

明沈周芝鶴圖 軸

明沈周芝鶴圖 軸

a donkey in “Poetic Thoughts on the Pa Bridge” handscroll (reproduced in I-yüan i-chen, vol. III.....more

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清張宗蒼畫雲崖錦樹 軸

清張宗蒼畫雲崖錦樹 軸

of Wu-hsien, Kiangsu. His style names were Mo-ts’un and Mo-ts’en. He was also known as Huang-ts’un.....more

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清艾啟蒙畫寶吉騮圖 軸

清艾啟蒙畫寶吉騮圖 軸

i-meng and the style name Hsing-an, was a Jesuit who came from Bohemia. In 1745, he entered the Ju-i.....more

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民國吳湖帆竹石 軸

民國吳湖帆竹石 軸

family. He followed in the style of Tung Ch’i-ch’ang (1555-1636) and was also good at poetry. Over.....more

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宋人畫如來說法圖 軸

宋人畫如來說法圖 軸

solid and descriptive. The drapery style of the female deities, known as "wet drapery" and associated.....more

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五代後蜀黃筌勘書圖 軸

五代後蜀黃筌勘書圖 軸

textual exegesis. Executed in an unusual style, this work bears false Ming (1368-1644) inscriptions.....more

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明沈周雨意 軸

明沈周雨意 軸

Thoughts Shen Chou (1427-1509) Ming Dynasty Shen Chou (style name Ch’i-nan, sobriquet Shih-t’ien.....more

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明呂紀柳塘禽集圖 軸

明呂紀柳塘禽集圖 軸

, but instead by a follower imitating his style. Lü Chi’s signature and seal, however, are authentic.....more

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明文徵明喬林煮茗圖 軸

明文徵明喬林煮茗圖 軸

style name Cheng-ming. His other style name was Cheng-chung and his sobriquet was Heng-shan chü.....more

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明丁雲鵬十八羅漢圖 卷

明丁雲鵬十八羅漢圖 卷

細如縷,柔韌有力。由此觀之,丁氏之作誠如畫史所言,「絲髮之間,而眉睫意態畢具」。 &*Ting Yün-p'eng (style name Nan-yü, sobriquet.....more

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明項元汴善才頂禮 軸

明項元汴善才頂禮 軸

;an-pien was a native of Chia-hsing. His tzu (style name) was Tzu-ching; his hao (sobriquet) was Mo-lin.....more

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宋四家法書 卷 宋蘇軾書次韻三舍人省上詩

宋四家法書 卷 宋蘇軾書次韻三...

Shih (style name Tzu-ch'an; sobriquet Tung-p'o) was a native of Mei-shan, Szechuan. He received his.....more

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清柳遇畫鶯粟 軸

清柳遇畫鶯粟 軸

置樹石欄廊,幽花細草,以及玩物器皿,色色佳妙,不亞於仇英。   設色畫鶯粟一叢,傅彩艷麗,用筆精勁,以較毘陵惲氏,雅韻差為不及耳。 &* Liu Yü, tzu (style name.....more

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明人畫扇(亨) 冊 明陸治牡丹鶵菊

明人畫扇(亨) 冊 明陸治牡丹...

was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan.....more

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清李世倬對松山圖 軸

清李世倬對松山圖 軸

'eng-t'ing (modern Shen-yang, Liaoning Province). His style name was Han-chang and his sobriquets were.....more

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