搜尋:Modern Style 在 水墨 分類當中

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清唐培華牛郎織女 冊頁

清唐培華牛郎織女 冊頁

費丹旭。與沙馥、錢慧安等先後同時,名譽亦相伯仲。 &* Tang Peihua, native to Wuxian (modern Suzhou, Jiangsu), resided.....more

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元人臨漢晉各帖 冊 鮮于樞臨王獻之鵝群帖

元人臨漢晉各帖 冊 鮮于樞臨王...

獻之鵝群帖,筆勢豪邁健勁,使轉縱橫,落筆不苟,氣魄雄強。選自《元人臨漢晉各帖冊》第七開。(20091015) &* Xianyu Shu (style name Boji) was a native.....more

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明沈粲書古詩 軸

明沈粲書古詩 軸

可知,沈粲行草書原不止於一家之學。(20110913)&*Shen Can (style name Minwang, sobriquet Jian’an), a native of Huating.....more

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明董其昌臨蘇軾黃庭堅帖 卷

明董其昌臨蘇軾黃庭堅帖 卷

似」,宜「觀其舉止笑語精神流露處。」(20110913)&*Dong Qichang (style name Xuanzai), a native of Songjiang in Jiangsu.....more

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清諸升畫竹 軸

清諸升畫竹 軸

佳作。 本幅為林宗毅先生捐贈。 &*Bamboo Chu Sheng (1618-after 1690) Ch’ing Dynasty Chu Sheng (style name Jih-ju.....more

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元盛懋松壑雲泉圖 軸

元盛懋松壑雲泉圖 軸

-an (modern Hangchow). In landscape painting, he followed the style of Tung Yüan (fl. first half.....more

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明文嘉仿沈周廬山詩畫 軸

明文嘉仿沈周廬山詩畫 軸

覺渾樸淳厚,而文嘉此圖鈎皴山石則用枯筆,造型亦不相近,蓋只取其意而已。畫成於萬曆丁丑,時七十七歲。&*Wen Chia, a native of Ch'ang-chou (modern Soochow.....more

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明徐渭畫牡丹 軸

明徐渭畫牡丹 軸

墨點畫而成,刻意利用水墨暈染的漸層變化。竹枝竹葉以帶行草性質的書法線條寫出,全畫用筆勁利迅捷,是酣暢縱恣的率意之作。(20110102)&*Xu Wei (style name Wenchang.....more

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明沈度書不自棄說 軸

明沈度書不自棄說 軸

。(20091015) &* Shen Du (style name Minze), a native of Huating (modern Shanghai), entered the Hanlin.....more

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清王翬畫溪山紅樹 軸

清王翬畫溪山紅樹 軸

and modern brush styles, and his painting style comprised the tradition of both northern and southern.....more

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清姚文瀚畫第二阿資答尊者 軸

清姚文瀚畫第二阿資答尊者 軸

(sobriquet Cho-t’ing) was a native of Shun-t’ien (modern Peking). He excelled in Buddhist and Taoist.....more

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明沈周策杖圖 軸

明沈周策杖圖 軸

have been pared down, suggesting the untrammeled purity of the style of Ni Tsan. The powerful.....more

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宋范寬秋林飛瀑 軸

宋范寬秋林飛瀑 軸

。畫中紅楓飄於水上,詩意是唐崔信明句「楓落吳江冷」。&* Fan K’uan was a native of Hua-yüan in Shensi province. His style.....more

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明周臣漁?圖 卷

明周臣漁?圖 卷

, was a native of Wuxian (modern Suzhou in Jiangsu). His style name was Shunqing and sobriquet Dongcun. He.....more

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清王翬臨范寬雪山圖 軸

清王翬臨范寬雪山圖 軸

collections. In this way, he was able to absorb the brush techniques of both ancient and modern masters.....more

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