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五代南唐巨然秋山問道圖　軸

artist who carried the style of his elder contemporary Tung Y'an (fl. 937-975) on to fresh ground.....more

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. Because he and his contemporary Hsia Kuei (fl.1180-1230) often concentrated their compositional.....more

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at painting figures, and his fame rivals that of his contemporary, Ch’en Hung-shou. The painting depicts.....more

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surpassed contemporary masters and equaled the talent of the ancients. He painted in a variety of genres.....more

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. This is the so-called "Drunken Man’s Chair" found illustrated in the contemporary Pictorial Encyclopedia.....more

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an effort to use the three script types of semi-standard, draft cursive, and contemporary cursive, which.....more

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not follow contemporary fashions. This work is the tenth leaf from the album sung-jen fa-shu I.....more

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were all well-known artists. His fame equalled that of his contemporary, Hsia Kuei, and in time came.....more

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as famous as his contemporary, Tung Chi–ch’ang. Ch’en specialized in painting plum blossoms and bamboo.....more

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, with his famous contemporary Dong Qi-chang comparing him to the renowned Tang dynasty poet-painter.....more

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collections. In this way, he was able to absorb the brush techniques of both past and contemporary masters.....more

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contemporary manners in a search for ancient methods. In this painting is a scene with pomegranate blosso.....more

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