英文摘要:本地歌仔(Bun-De-Gua-A) is a original form relative to Taiwanese Opera, which can be seen exclusively in 宜蘭(Yi-Lan). The book “One of the Most Four Popular Subjects in Taiwanese Opera─呂蒙正(Li-Bhong-Zing)”, published by 宜蘭縣文化局(Yi-Lan Bureau of Culture) in 1999, collects a number of hand-written copies and dictations of 呂蒙正(Li-Bhong-Zing), scripts, and offers excellent first-hand information to the study of Taiwanese Opera. The inner meaning of the lines, actions and stories of the many different versions of 呂蒙正(Li-Bhong-Zing), are extremely rich and profound. Nevertheless, it seems that no other research has probed into this subject. It is these factors that motivate the author to delve into 呂蒙正(Li-Bhong-Zing), whose life was filled with drama, was a real character in Chinese history. This study tries to answer the following questions: How can呂蒙正(Li-Bhong-Zing)be one of the four most important plays (or subjects) in Taiwanese Opera? What are the differences in the plots, characters and words among all these existing versions of 呂蒙正(Li-Bhong-Zing)? In addition, 呂蒙正(Li-Bhong-Zing) is a popular subject in 歌仔(Gua-A)and 車鼓(Cia-go). Is there any relationship between them? Also, what are the features of 本地歌仔(Bun-De-Gua-A) which was originated in Taiwan? This study is based on the analysis of the existing research outcomes and delves into the scripts and actions of 本地歌仔(Bun-De-Gua-A) as well as its relationship with other folk arts.