題名:屏東縣九如三山國王廟木雕裝飾題材研究
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- 資料類型：
- 來源資料庫:學位論文
- 著作者：
- 創作者名稱:蔡佳純
- 主題與關鍵字：
- 主要分類:名勝古蹟傳說
- 中文關鍵詞:屏東縣
- 中文關鍵詞:九如鄉
- 中文關鍵詞:民間傳說
- 中文關鍵詞:三山國王廟
- 中文關鍵詞:建築木雕
- 中文關鍵詞:廟宇裝飾
- 中文關鍵詞:牌樓面
- 外文關鍵詞:Pingtung County
- 外文關鍵詞:Jiuru Township
- 外文關鍵詞:Shanshanguangwang temple Chiuru
- 外文關鍵詞:The tradition architecture of wood carving
- 外文關鍵詞:temple decoration
- 外文關鍵詞:lintel
- 描述：
- 頁碼:177
- 中文摘要:廟宇是居民生活中心及心靈寄託的場所，其建築裝飾同時也是中國傳統建築的特色之一，傳統建築裝飾講究是文化的內涵，不僅是細緻的文化表徵，更擁有多樣化的功能及其本質意義，透過廟宇建築裝飾題材研究，將能深入了解種族的傳統文化與內涵。 九如三山國王廟創建於清乾隆四十三年（1778年），昭和四年（1929年）的重修，始為今日之廟貌，為屏東縣保存日治時期重修時正身主體面貌，其中又以四點金柱牌樓面上橫楣之木雕，為全臺少見之作法。 本研究目的在於探討九如三山國王廟四點金柱牌樓面上橫楣之木雕裝飾題材與其形塑背景。經由木雕裝飾題材分析，九如三山國王廟四點金柱牌樓面上橫楣之木雕裝飾主要取自於《三國演義》、《薛丁山征西》、《說唐演義》、《四遊記》等，裝飾題材豐富，反觀日治時期其他廟宇的裝飾題材：如屏東萬丹萬惠宮、鹿港天后宮裝飾題材，由此可知《三國演義》、《薛丁山征西》、《四遊記》、《說唐演義》等為日治時期廟宇重要的裝飾題材，同時也代表當時民間工匠慣用的裝飾題材。 九如三國王廟四點金柱牌樓面上橫楣之木雕風格雖不如著名匠師所施作之精雕細琢，但其人物輪廓圓融，呈現「稚拙諧趣」，同時也呈現出民間工匠樸拙的風格，值得深入研究，藉此喚起對素人匠藝研究的重要性。
- 英文摘要:The temple is a part of the inhabitant lives central and the mind reposing place. The building decoration is also one of the Chinese tradition building characteristics, where it is fastidious about the cultural connotation. It was not only attributing to the unique of cultural but it had essential significance and more diversity function throughout the decoration theme of temple building research, would be able to understand the traditional culture of races and its connotation. Shanshanguangwang temple in Chiuru, Pintung was founded in the Qing Dynasty of Qianlong 43 years（1778）. It had underwent maintenance during Shiaowa forth year (1929）, but it was not involved the construction of main structure and only done partial maintenance, which is difference with new build. The current outlook of temple was preserved by Pingtung county according to the maintenance finished on the main part of building during the colonization of Japanese. Especially, the wood carving method on “four points golden pillar”, those were the four lintels of the main hall was rarely applied in Taiwan. The objective for this study was to analyze the theme of wood carving and the formation background of wood carving on four lintel at Shanshanguangwang temple, Chiuru. Throughout the analysis of wood carving theme and found that the decoration ideal was mainly taken from “The Legend of the Three Kingdoms”, ”The Legend of the DingShan Xue attacking west”, “Commenting historical of Legend Tang”, “Si You Ji” and etc as there were plenty of decoration themes. While referred at the wood carving themes like Wan-Hui temple in Pintung and Tien-Hou Temple in Lukang that decorated during the colonization of Japanese, had emphasized “The Legend of the Three Kingdoms”, ”The Legend of the DingShan Xue attacking west”, “Commenting historical of Legend Tang”, “Si You Ji” etc, were the important decoration of temple, and simultaneously it also reflected the decoration theme, which the folk artisan habitually used at that time. The wood carving decoration style on lintels of Shanshanguangwang temple, Chiuru might not as good as famous artisan’s decoration essence, but its designed outline of personage characters, appeared “young clumsy with humor” and had consecutively presented the simple and unadorned style of the folk artisan, which was worth for further analyzing. Hence, this studied could arouse the importance of architectural art of these folk artisans.
- 出版者：
- 主要出版者:屏東科技大學農村規劃系
- 出版地:屏東縣
- 日期：
- 出版日期:2004
- 語言：
- 語文:中文
- 關聯：
- 全文電子檔:http://etds.ncl.edu.tw/theabs/service/say.jsp?FT=Y&id=093NPUST400010
- 管理權：
- 典藏單位:國家圖書館
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