題名:台灣〈十殿閻王圖〉研究

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資料類型:
來源資料庫:學位論文
著作者:
創作者名稱:林芳瑜
主題與關鍵字:
主要分類:神鬼傳說
中文關鍵詞:臺灣
中文關鍵詞:民間傳說
中文關鍵詞:祭祀
中文關鍵詞:信仰
中文關鍵詞:十殿閻王
中文關鍵詞:十八層地獄
外文關鍵詞:Taiwan
外文關鍵詞:Ten Kings of Hades
外文關鍵詞:Eighteen Layers of Hades
描述:
頁碼:240
中文摘要:自東漢以後有了泰山治鬼之說,然後逐漸壯大,即至佛教傳來,地獄冥王之說也跟著傳入。經過魏晉六朝唐宋以迄元明,小乘佛教流行,民間傳說的流傳,然後民間俗信十殿閻王與十八層地獄之說才完成。 〈十殿閻王圖〉在類型上,大致分為版畫、壁畫、掛軸等,使用版印作畫的情形很普遍,而且大部分的畫都作於紙上。由於所採用的紙張質地粗劣,有些畫使用不久以後就損毀了。事實上,這種圖像通常用於舉行葬儀時懸掛在為亡者超渡的道場,其主要目的在於使人們知道人死後靈魂進入冥土可能遭遇到的境況。因此,〈十殿閻王圖〉呈現亡靈於陰間接受報應及懲罰的恐怖景象以警惕世人從善棄惡。 這類型的民間藝術多半仰賴畫師的想像力,十殿分成幾個掛軸沒有一定的標準,分別有一殿一圖、二殿一圖、三殿一圖等,也有十殿繪成一圖。畫師可以隨意取材自民間傳說和眾所周知的典故以充實繪畫內容,甚至以普受歡迎的國劇為題材。 為深究台灣〈十殿閻王圖〉,並透過實際田野調查與研究整理,分析各類十殿圖像上的文化意涵與教育意義。
英文摘要:From the Easten Han dynasty onward there was the belief that Mount T’ai(T’ai-shan, in Shantung province)governed the word of the dead, and this belief eventually grew. And with the introduction of Buddhism to China, a belief in the kings of Hades was also introduced. Through the Wei, Chin, Six Dynasties, T’ang, and Sung periods all the way down through the Yuan and Ming dynasties, Hinayana Buddhism became popularized and was gradually embellished wish Chiese folk beliefs. Later, the folk belief in the “Ten Kings of Hades” and the “Eighteen Layers of Hades” matured. “Ten Paintings of Kings of Hades”, the use of stencils was widespread. Most of these pictures were painted on paper. The sometimes inferior quality of the paper accounts for the paintings’ tendency toward rapid deterioration. When damaged, old paintings were replaced by new ones.In fact, “Ten Paintings of Kings of Hades” to be used in religious ceremonies, mainly in connection with funerals.They were meant to show to the living what may be expected in the nether world. From the beginning, paintings of Hades warned the living of the terrible punishments which the judges in hell would mete out to the souls on their judgment day. This type of folk art leaves much to the imagination of the artisan. There are no set rules as to the number of scrolls on which the ten hells must be depicted. There exist sets of the ten hells divided into various numbers of scrolls. Indeed, I have seen sets of two, three, or ten scrolls. The artisan was free to enrich the paintings with scenes from folklore and commonly known events. He could even dip into the well of the ever-popular Chinese opera. In order to research the “Ten Paintings of Kings of Hades”,this thesis with lots of field research and analysis on the meanings of the culture and eduction.
出版者:
主要出版者:國立臺北大學人文學院民俗藝術研究所
出版地:臺北縣三峽鎮
日期:
出版日期:2007-06
語言:
語文:中文
關聯:
全文電子檔:http://etds.ncl.edu.tw/theabs/service/say.jsp?FT=Y&id=095NTPU0548003
管理權:
典藏單位:國家圖書館

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