英文摘要:The study is based on aesthetics and art theory to analyze sculpture and plastic art of Taiwan Ma-zu, Supervision, Super-hearing and the local art style they carry. It will discuss the iconology, semiotics, sociology of art, anthropology of art and Chinese aesthetics of Ma-zu sculpture, and its meanings and local appreciation of art and thinking method. Through field research, it will depict the meaning of Ma-zu sculpture and reach a conclusion. This study includes five chapters: Chapter 1 is introduction;In chapter 2 I explain Ma-zu sculpture with E. Panofsky’s iconology; In chapter 3 I explain of semiotics Ma-zu sculpture with Ferdinand de Saussure’s diachronic and synchronic, significant and signified semiotics; In chapter 4 I use Sociology of art to explain the ideal picture and feminism of mother-god worship; Chapter 5 is conclusion. The early figure of Ma-zu is goddess from Mei Chou, Mainland China. The image is combined of art appreciation and Fu Ke local appreciation; supervision and super-hearing is shown by monster style, another is by worrier style to show the honor recognized by the government. Both are symbols for luck and prevent evil to tell local society belief and traditional thinking.