題名:台灣排灣族拉瓦爾（Raval）亞族傳統與現代琉璃珠之社會文化研究
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- 資料類型：
- 來源資料庫:學位論文
- 著作者：
- 創作者名稱:朱聖吉
- 主題與關鍵字：
- 主要分類:民俗傳說
- 中文關鍵詞:臺灣
- 中文關鍵詞:民間傳說
- 中文關鍵詞:排灣族
- 中文關鍵詞:拉瓦爾亞族
- 中文關鍵詞:琉璃珠
- 中文關鍵詞:物質文化
- 外文關鍵詞:Taiwan
- 外文關鍵詞:Paiwan
- 外文關鍵詞:Raval
- 外文關鍵詞:Glass Bead
- 外文關鍵詞:Material Culture
- 描述：
- 頁碼:148
- 中文摘要:琉璃珠，排灣族人稱之為「ata」或「gata」，有謂ata是來自maloata的說法，maloata排灣語的意思是：形成一個果實，隱喻一顆顆五彩繽紛的琉璃珠就好像是一顆顆豐富心靈的果實。這些色彩繽紛的珠子，只見於排灣群，並不見於台灣的其它族群，而其來源至今依然是個謎，但排灣族人始終相信，這些珠子是來自祖傳。 這些傳統的琉璃珠在排族群內部長期運作的結果，已內化為特有的排灣族琉璃珠文化，有其豐富的文化脈絡，然不同的地域群間有差異性存在，為求慎重，並考量人力與時間上的限制，本文琉璃珠文化的研究以排灣族Raval亞族為主要研究區域。 琉璃珠是排灣族物質文化的一環，物質文化為文化表現中具體可見的物證，也是人類心靈中之特定想法呈現在外的符號與象徵，排灣族人不僅以琉璃珠裝點其服飾，更利用不同紋彩、顏色的琉璃珠串成胸飾與頸飾，而這些珠子皆各有其象徵意義及社會功能，因此琉璃珠實為排灣族物質文化的一大特色。基於這樣的認識，排灣族的琉璃珠必須置於其社會文化脈絡與生活情境中，才有可能理解其意義與功用。因此，本文以Raval亞族的社會環境、生活脈絡、琉璃珠本體和製作技術等，做為探討排灣族Raval亞族琉璃珠文化的重點，並記錄Raval亞族社會文化脈絡中琉璃珠功能的持續與轉變。 在歷經時代的變遷與外來文化的衝擊下，排灣族的琉璃珠文化並沒有因此而消逝，相反的族人在有感於傳統琉璃珠的散盡不易復得，以及族群內部文化的強烈需求下，採借現代的技法在民國六十五年創造出「現代琉璃珠」，此一創舉可謂是琉璃珠文化發展的重大轉捩點。加上社會階級制度的瓦解、經濟生活走向自由買賣的貨幣經濟，以及族人對傳統文化的認同與復振，使得琉璃珠從無自製記錄轉變為出自族人之手；從展現貴族身份的裝飾到普遍為族人所認同、配戴的族群象徵性文物之一。今天，在文化產業化的助力下，發展出與傳統琉璃珠風格迥異的「新創珠」，和結合現代生活的琉璃珠製品，更將琉璃珠的發展帶入另一個新的境界。
- 英文摘要:Paiwanese calls the glass bead “ata” or “gata”. Some said the word “ata” was derived from “maloata”, which in language of Paiwan means the formation of fruit, figuratively meaning that a colorful glass bead is the fruit of mind. Colorful glass beads are only found in the Paiwan tribe, they are nowhere to be seen in other tribes around Taiwan. Where it came from remains a mystery; however, the Paiwanese do believe that it came from their ancestors. As a result of a long term of administration, these traditional glass beads have been internalized as the Glass Bead Culture, a rich culture among the Paiwanese, though the cultural differences do exist among different tribal territories. This study will mainly focus on the region of Raval, another branch of Paiwan. The glass bead is a part of the Paiwan material culture. The culture is embodied in the people’s lives and can be seen as an evidence of the whole culture. It is also presented as a sign and symbol by the particular thoughts of the human mind. The glass bead is not only used by the people on the costumes as decorations, but the colorful and painted glass bead is also stung together and worn on the chest and the neck, which poses meaningful and functional symbolizing features among the society. Consequently, it can be deciphered only on the condition that it be realized under an societal and cultural scope. Therefore, it is reasonable that this study explores the Raval Glass Bead Culture based on the tribe’s social environment, lifeline, the glass bead itself, and the technique of the production of the glass bead, and that it records the continuity and the change of its function among the people. Fortunately, the culture does not die out in the wake of time changing and foreign cultural impact; on the contrary, the people produced the “modern glass bead” in 1976 adopting new techniques, as a reflection of the intra-tribes’ feeling that not let the erosion of the tradition could have a chance to lay a hand on this treasure. The debut of the creation of the modern glass bead surely is the turning point in terms of the development of the glass bead culture. We definitely should have to add up the corruption of the tribal hierarchy, the influence of free trade and currency-using economical lifestyle, and the people’s recognition and the renaissance of their heritages to the history of the production of the glass bead from when there was no record of it to the days it is homemade by the tribe itself, and to the truth that the glass bead is now commonly understood and worn by the tribe as a symbol of the cultural heritage, but not as a status that could only have belonged to the noble classes. Nowadays, thanks to the cultural industry, “novel glass beads” have been created and developed as opposed to what it looked like in the past. Also, the combination of the novel glass bead and current glass bead-related products has brought the glass bead world into a brand-new future.
- 出版者：
- 主要出版者:臺南師範學院鄉土文化研究所
- 出版地:臺南市
- 日期：
- 出版日期:2003
- 語言：
- 語文:中文
- 關聯：
- 全文電子檔:http://etds.ncl.edu.tw/theabs/service/say.jsp?FT=Y&id=091NTNTC642004
- 管理權：
- 典藏單位:國家圖書館
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