題名:台南縣關廟鄉龜洞飛鷹跳鼓陣之研究
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料類型：
- 來源資料庫:學位論文
- 著作者：
- 創作者名稱:陳世霖
- 主題與關鍵字：
- 主要分類:民俗傳說
- 中文關鍵詞:臺南縣
- 中文關鍵詞:民間傳說
- 中文關鍵詞:關廟鄉
- 中文關鍵詞:龜洞
- 中文關鍵詞:飛鷹跳鼓陣
- 外文關鍵詞:Tainan County
- 外文關鍵詞:Guanmiao Township
- 外文關鍵詞:folk art
- 外文關鍵詞:Feiying drum-beating dance
- 描述：
- 頁碼:218
- 中文摘要:跳鼓陣是台灣民間慶典中相當常見的一種表演，但此項技藝已逐漸沒落當中。關廟飛鷹跳鼓陣在國家推展民俗體育之際，是最早進入學校的民間跳鼓技藝團體。在台灣跳鼓發展過程中，佔有相當重要的地位。該指標性團隊之緣起、運作實態、陣式內容及意涵，是本研究急欲深入探討的議題，對未來跳鼓活動的推展極具研究意義。 綜合上述，本研究之研究目的有三，一、瞭解在歷史背景下跳鼓陣之源起與發展。二、瞭解飛鷹跳鼓陣之成立與運作實態。三、探討飛鷹跳鼓陣之技藝內容與意涵。 本研究主要採用歷史研究法、文獻分析法為主，並輔以田野調查，得到以下結論： 一、以現有文獻探討台灣跳鼓陣的歷史淵源結果，研究者認為台灣的跳鼓陣與福建的大鼓涼傘可能有密切的關連。 二、飛鷹跳鼓陣的成立與運作實態部分，其表演場所有喪事場合、文化場合和迎神廟會等三類。飛鷹跳鼓陣的團員主要來自鄰近村莊，地域性強。團員在小時後大都住在團長家，受到團長照顧，是其最大特色。 三、飛鷹跳鼓陣表演陣式共十六個，在表演進行時，通常要求一氣呵成，決不拖泥帶水。在陣式意涵方面，深入訪談後歸納分成：（一）敬神；（二）趨吉避凶；（三）防禦性；（四）模仿性；（五）歡樂性等陣式，陣式意涵相當多元化。
- 英文摘要:The drum-beating dance is a common type of performance in traditional ceremonies in Taiwan but such a folk skill has gradually declined. With the government’s impetus to folk sports, Feiying troupe first entered schools among the folk drum-beating dancing troupes. Feiying troupe has played a vital role in the process of the drum dance in Taiwan. This study has eagerly attempted to dig into the origin of the target troupe, its practical operation, and its contents and essence of existence and hopes to make significant contributions to the drum-beating dancing activity in its future development. To sum up, the purposes of this research are: (1) to understand the historic origin of the drum-beating dance, its development, and its transformational process, (2) to understand the establishment and practical operation of Feiying drum-beating dancing troupe, and (3) to probe into the contents and essence of existence of Feiying drum-beating dancing troupe. This study adopted the means of historical research and document analysis, complemented by field survey. Following conclusions have been made: 1. Based on the currently existing documents to find out the historic origin of the drum-beating dance in Taiwan, the researcher believes the drum-beating dance in Taiwan has a close relationship with “the dance of big drum and parasol” in Fujian Province, China. 2. As for the establishment and practical operation of Feiying drum-beating dancing troupe, its performance locations range from funeral occasions, cultural occasions, and ceremonies at the temples honoring gods or goddesses. Its members mainly come from the neighboring villages, regionally governed. The most particular of the troupe is that the members of Feiying lived in their leaders’ places when young and received their leaders’ care. 3. The drum-beating dancing performance consists of sixteen different dancing arrays; it does not drag whilst the performance is proceeding and is usually accomplished at one go. After an in-depth interview, the intentions hidden behind the dancing arrays are diverse and can be generalized as follows: (1) to worship god (2) to pursue good fortune and shun calamity (3) defensive type (4) imitative type (5) hedonic
- 出版者：
- 主要出版者:國立臺南大學體育教育學系
- 出版地:臺南縣
- 日期：
- 出版日期:2007
- 語言：
- 語文:中文
- 關聯：
- 全文電子檔:http://etds.ncl.edu.tw/theabs/service/say.jsp?FT=Y&id=095NTNT5420002
- 管理權：
- 典藏單位:國家圖書館
授權聯絡窗口
- 圖文授權請逕洽出版者或作者。 資料庫相關問題請洽國家圖書館知識服務組 ref@ncl.edu.tw
