英文摘要:The Ceremony and Music Research of the “Three-Consecrations” of Hakka Maynoon, South of Taiwan “Three-Consecrations” has been the Chinese religious ceremony for centuries, even through the feudal system doesn’t exist anymore nowadays, this ancient ceremony has been conserved entirely. There are not only official convocations, which are hold periodically, but also some life-ceremony, yearly and temporary agenda among Hakka ethnos in South of Taiwan. However, while it transformed to civil religious ceremony, the procedure remains the ancient ways in general, but the music has been replaced partially by “Hakka Instrumental Ensemble” and “Hakka Ceremonial Cantillate”, which are belonged to certain Hakka ethic groups. This investigation focused on Hakka ethnos, which are located in Maynoon, Chi-Shan, Liu-Kuei and other Hakka strongholds in Kaohsiung County, South of Taiwan. The study took “Three-Consecrations” as a priority, the author collected and arranged the filiations and developments of Three-Consecrations firstly from historiographies and ordinals of each dynasty, and further discuss from elements like “people”, “agenda”, “music”, “space” and “object”, through field study and autopsy, to argue in parallel one after one, and to analyze the relationship between each element, in order to understand the performing pattern of “Three-Consecrations” by Hakka in South of Taiwan. Furthermore, in the last chapter of this investigation, the author tried to discuss the meaning and function of “Three-Consecrations” in these Hakka strongholds from demotics point of view. With social, economical, cultural and group-figurative aspects, we could found the unique Hakka religious culture in these areas.