題名:臺灣苗栗地區古典詩研究
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- 資料類型：
- 來源資料庫:學位論文
- 著作者：
- 創作者名稱:高雪卿
- 主題與關鍵字：
- 主要分類:民間文學傳說
- 中文關鍵詞:苗栗縣
- 中文關鍵詞:民間傳說
- 中文關鍵詞:古典詩
- 中文關鍵詞:客家詩
- 中文關鍵詞:詩社
- 中文關鍵詞:八景詩
- 外文關鍵詞:Miaoli County
- 外文關鍵詞:classical poems
- 外文關鍵詞:Hakka classical poems
- 外文關鍵詞:classical poems of Mao-Li area
- 外文關鍵詞:classical poem clubs
- 外文關鍵詞:classical poem clubs of Mao-Li area
- 外文關鍵詞:classical poems of Mao-Li area in Ching dynasty
- 外文關鍵詞:classical poems of Mao-Li area in Japan ruling
- 外文關鍵詞:classical poems in M
- 描述：
- 頁碼:377
- 中文摘要:本論文研究為「苗栗地區古典詩」，研究主體以「古典詩」為主軸，光緒十五年本縣開始設縣，故研究範圍大抵以此一時期之「苗栗縣」行政區域為研究界限。 全文一共分為九章，各章節的劃分是以歷史演進的朝代為主軸，從清代、日治、臺灣光復後，各時代的古典詩皆有其歷史背景，所蘊含之古典詩各有其特色。簡述如下： 第一章、緒論：說明本論文的研究緣起，界定研究範圍及研究內容的概述介紹，針對研究方法與文獻資料的探討加以闡釋。 第二、三章為清代苗栗地區古典詩闡述：第二章主要以遊宦詩人之作品為主，苗栗開發稍晚，遊宦詩人之作，則成了苗栗開發史的重要文獻。第三章則以縣籍作家為研究範疇，清代後期縣籍詩人的輩出，為苗栗古典詩開啓嶄新的風格，亦是本區古典詩作最璀燦的時期。 第四章、清代、日治時期非縣籍人士詠苗栗：從非縣籍詩人所作有關本縣之紀遊詩、詠懷詩、詠史詩、采風詩－竹枝詞，探討本地區之人文特色，由他人之手寫出苗栗史蹟，還原史料真相及客觀性。並從詩中理出本區作者的交遊網絡。 第五、六章 為日治時期苗栗地區古典詩之闡述：日治時期是本區古典詩發展的顛峰期。在日人高壓懷柔政策，詩人如何在政治的夾縫中求生存，傳播漢文化，利用擊缽吟會，凝聚詩人力量，建詩社以結合並團結詩人，以詩之諷喻精神來對抗日人的武裝統治。 清廷割臺，造成了臺灣人民最可悲的一段史實，詩人藉由詩作以抒心中鬱悶。詩人以詩史之筆，一一控訴日人的武力鎮壓臺灣人民與屠殺我同胞，一字字的血淚詩，道盡苗栗人的「義民」精神。不肯屈服日人統治的詩人則退隠山林、耕讀田野，表現出客家人的「硬頸」個性。 出身日治時期的詩人詩作則因「皇民化」政策的奏效，詩題中出現了對日本政府歌功頌德的內容，忘其根本實由環境之使然，亦可以令人理解。 第七章、光復後苗栗地區古典詩發展：主要是將光復後至「苗栗國學會」的成立，其古典詩遞延與發展做一分析。由於受第二次世界大戰的影響，「詩社」運作幾近停擺，隨著國民政府到苗栗定居的外省作家，為本區古典詩注入新血。在于右任、何志浩、賈景德辦雜誌，結合地方詩社重要人物，重新賦給詩人重要歷史使命，詩題之作除了濃厚的鄉愁之思，亦有積極的愛國精神。 隨著時代的變遷，古典詩在今社會所扮演的角色，呈現多元景象，除了客家人重視子女教育的精神融入詩題外，關懷社會及客家人注重傳統的教化美德，亦於詩中展現。 第八章、苗栗地區八景詩之遞嬗：最能表現本區地方特色為「八景詩」，「八景詩」之遞延從清代、日治、光復後，隨著時間改變物換星移，皆呈現不同風格，詩人從景中的意象藉詩來呈現。 第九章、結論：將苗栗古典詩整體發展與演變作一歸納，並將本論文作一全盤綜觀結論。
- 英文摘要:The thesis researches “Classical poems of Mao-Li area” with the subject “classical poems”as its main shaft. Mao-Li was established county in the 15th year of Kuang-Hsu; hence, the research range approximately emphasize on the administration area of “Mao-Li County.” The researcher tries to collect all kinds of poets and poems which are relevant to Mao-Li staff as well. There are nine chapters in this thesis; the division is based on the process of proceeding dynasty. From Ching dynasty, Japan dominated period, to the time of Taiwan restoration, classical poems have their historical background, so there must be some characteristics on their own. The explicit details are below: The first chapter is introduction, the key point are how the research comes up, how to define the limitation of this research scope, and introducing how to sum up the content. Therefore, the researcher tries to stress on the explanation of researching method and document data. The second and third parts of the thesis expound the classical poems of Mao-Li area in Ching dynasty. The second part stays on the poems of short-stay officials. Their works become the important documents of Mao-Li developing history. Chapter three studies the native authors; in the late Ching dynasty, native authors rose and turned on the bright style of Mao-Li area. This period is also the radiance time of classical poems. The chapter four emphasizes how the nonnative authors chant Mao-Li in the Ching dynasty and Japan ruling period. Take the works from nonnative authors for examples, they are trying to research the literacy characters of this area; for written by these observers, we can return the reality of history truths and be more objectively. Besides, we can analyze the social network of this area in poems. The chapter five and six expound the classical poems of Mao-Li area in Japan ruling period. Japan ruling period is the summit of development of classical poems. Beneath the high stress and fond policy, poets tried to survive from the political trap. Also, using the power of poem society concretes the spirit of poets, having sarcastic meaning to force the ruling of Japanese military authorities. The Ching government ceded Taiwan being a sympathetic history. Therefore, poets use poems to accuse how Japanese persecuted Taiwanese and killed our fellows. These moving words thoroughly expressed the” Justness citizens” spirit of Mao-Li people. Unwilling submitted by the Japanese ruling, poets hid in the wild to observe and study the mother land, they totally showed Hakka” hard neck” spirit. However, the works of poets who were born in the Japanese ruling period showed the extol theme for the”Hwan- Ming-Hwa” policy. The seventh chapter emphasizes the development of classical poems in Mao-Li area after restoring. The main idea is to analyze the process of classical poems from restoration to establishment of “Mao-Li country theory society.” Because of the World WarⅡ, the society stopped. Fortunately, the immigrated poets in Mao-Li refreshed this area. Yu-yow-Jen, He-Chih-Hao, Chia-Ching-Te published magazines and connect the local elites to refill new dignity of poets. As a result, these works have thick nostalgia, there is also full of patriotism. As the time goes by, the role of classical poems in recent society presents various visions. Besides, the works involve in consideration of children education and also express the tradition and virtue of Hakka. The main point of chapter eight is the proceeding of “eight visions poem” in Mao-Li area. “Eight visions poem” presents the local character. Its process differs from the Ching dynasty to the restoration. They all have varied styles. Poets use the imagination of visions to arise the different meaning in the poems. The chapter nine is conclusion, and the researcher makes an induction of the whole development and evolution in classical poems to have a entire comprehensive survey.
- 出版者：
- 主要出版者:中國文化大學中國文學研究所
- 出版地:臺北市
- 日期：
- 出版日期:2005
- 語言：
- 語文:中文
- 關聯：
- 全文電子檔:http://etds.ncl.edu.tw/theabs/service/say.jsp?FT=N&id=093PCCU1045009
- 管理權：
- 典藏單位:國家圖書館
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