題名:天朝震北宮聖駕傳奇 : 先天無極黑面三媽
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- 資料識別：
- 國際標準書號:986-8134-70-6
- 資料類型：
- 來源資料庫:圖書
- 著作者：
- 創作者名稱:許建忠
- 創作者名稱:施秀梅
- 主題與關鍵字：
- 主要分類:神鬼傳說
- 中文關鍵詞:屏東縣
- 中文關鍵詞:屏東市
- 中文關鍵詞:民間傳說
- 中文關鍵詞:震北宮
- 中文關鍵詞:先天無極黑面三媽
- 外文關鍵詞:Pingtung County
- 外文關鍵詞:Pingtung City
- 描述：
- 頁碼:123
- 中文摘要:屏東六堆地區是許多客家人聚集的區域，在這些客家庄裡，仍然保留了豐富的匾聯，而這些匾聯記錄著祖先遷臺的過程、先人大陸的原鄉、來臺墾殖的艱辛，乃至於對於後代雲仍的訓勉與祝福等。本篇論文將對於客家祠堂內的堂號、廳對、門對、棟對、燈對、阿公婆牌附近的對聯，以及門詞、窗詞、廊間詞等，進行研究。藉以揭櫫這些匾聯內富贍的歷史人文事典，記錄並保留這些隨時可能跟著夥房拆除而成為歷史遺跡的文化遺產。第一章是緒論，敘述研究動機、研究目的與待答問題、預期目標、研究方法、研究的範圍和可能遭遇的困難與限制。第二章為名詞釋義與文獻探討。第三章為堂號與廳對（含門對），透過深入地研究，發現大部分的堂號，均為祖先望出之所，另有以來臺開基祖大陸原鄉地名為堂號，或者是以先人功業、事蹟為典，後人引以為光榮而自立的堂號。再者為兩姓氏結合所產生的新堂號，研究者發現十筆有趣的新堂號，而多數的新堂號，仍是因為招贅的關係而產生。至於廳對、門對，則是各個姓氏光榮的人物表徵，各姓氏均以自家引以為傲的人物事典嵌入聯語之中，其中以人物的人品氣節、文章科名為首選，顯見客家人極為敬重文明聖賢。第四章為棟對與燈對，其中棟對可視為各姓氏尋找自己生命起源的「基因密碼」，顯示客家人有著強烈的根源意識；燈對，則可以看出先人對於後代的祝福與訓勉，亦可顯見客家人重視有無後嗣承祧的問題。第五章為阿公婆牌附近的對聯與窗詞、門詞、廊間詞。由阿公婆牌附近的匾聯的研究，可以明顯地感受到客家人廳下空間的改變，而這種改變也間接反映在這些對聯的內容之上。窗詞、門詞、廊間詞，則可以一窺客家文化多面向的文化特質。在各類的研究之中，仍可發現，客家文化是以「耕田讀史」為核心主軸而發展，誠然，這項文化特質，顯然亦與客家人長期遷徙有著密切的關係，同時，反映在個人身上，於是，在性格上，客家人勤勞節儉、刻苦耐勞；在人倫關係上，客家人敬祖睦宗、長幼有序；在社會意識上，客家人團結、要求與人和睦相處、能忍讓；在品德操守上，要求人品氣節更勝於富貴，並且敬愛自然萬物。然而，擁有富贍歷史人文事典與耕田讀史優良文化傳統的客家匾聯文化，正面臨著空前的浩劫，以極快的速度消失、崩解之中，而這個現象不但值得相關政府單位注意，更值得每一位客家子弟反省、深思。
- 英文摘要:Liu-tuei area in Pingtung is the place where the Hakha people gather together. Among these Hakha villages, a large number of tablets were preserved, which recorded the ancestors’ hometown, the process of their moving to Taiwan, how they reclaimed the land and lived on it, and even their encouragement and blessings to their offspring. In this thesis I will do research on those couplets inside of the Hakha shrines, including those on parlors, doors, windows, pillars, lamps, and the couplets around A-kung-puo tablets, to discover and reveal the rich historical events hidden in these tablets, which recorded and preserved the cultural heritage. They might become the historical relics because the houses may probably be torn down. Chapter One is the preface, which shows my motive and purpose of research, questions to be answered, the anticipated goals, the research methods and ranges, and the possible difficulties and restriction. Chapter Two is about the explanation of the terms and the discussion of the literary documents. Chapter three is about those couplets on shrines and doors. Through the further research, I have found that most of the shrine parlor couplets described the names of the respectful ancestors; some other couplets were about the ancestors’ hometown in Mainland China, or about the ancestors’ glorious events. In addition, there is the research about the combination of two family names. The researchers have found that many of the new shrine couplets were produced due to the relationship of the marriage ( the married daughter still bore her family name). The couplets on the shrines and doors symbolized the glorious people of the specific family names. Every family name put into the couplets the people and events that they were proud of. Among them the persons’ righteous character and professional writing were firstly considered. It appears that the Hakhas mostly respect the literary saints. Chapter Four is about the couplets on lamps and pillars, of which the lamp couplets can be seen as the “gene code,” showing that the Hakhas have strong sense of their roots. The lamp couplets show the ancestors’ exhortation and blessings toward their next generations, which expresses Hakha people pay attention to the issue about whether a family has an offspring or not. Chapter Five is about the couplets around A-kong-puo tablet. From the research of A-kong-puo tablet, we can obviously feel the changes of the space in Hakhas’sitting rooms, and the changes could be reflected on the couplets. From the couplets on windows, doors, and parlors, we see Hakha’s cultural characteristics in every way. According to the various researches, we find that Hakha culture is developed surrounding the core of “filling land and reading history.” And this characteristics is closely related to Hakhas’ long term of removing, which is reflected on the Hakha people themselves. Therefore, the Hakhas are hard-working, respectful of their ancestors, having the sense of unity, harmonious with other people and nature, and preferring morality to nobility. However, in spite of the valuable tradition, the Hakha culture is facing the most serious disaster which has never appeared before, and it is collapsing with fast speed. This phenomenon should be cared about not only by our government but also by every Hakha people,who should make a self-examination about themselves.
- 出版者：
- 主要出版者:屏東天朝震北宮
- 出版地:屏東市
- 日期：
- 出版日期:2005
- 語言：
- 語文:中文
- 管理權：
- 典藏單位:國家圖書館
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