林誠道先生林宗毅先生父子捐贈書畫圖錄,頁21、168-169&*畫中林木種類繁多,許多葉片使用赭紅色描繪,似乎暗示著時序已入秋季,但並無秋末木葉落盡的蕭索。乍看荒禿的中景老樹,樹身佈置的點苔反而展現蓬勃生機。整幅山水甚具草木華滋之感。 此幅描繪山石林木的用筆較為粗放,但仍保持文伯仁作品一貫豐富的細節,此畫應亦為晚期之作。前景於葦草旁停憩小船的高士,或許正為悠遊於家鄉林泉風光的文伯仁自況。(20100713)&* Many types of trees fill this painting, with much of their foliage rendered using brownish red colors, as if to suggest that the scenery has already entered the season of autumn, but still before the cold has arrived to make the leaves fall. Even though an old tree appears in the middleground, its arrangement of moss dots still suggest flourishing vitality. In fact, the vegetation in the entire landscape seems to have a sense of growth and vitality. The brushwork used to render the rocks and trees in this painting is relatively coarse, but the work still retains the consistently rich details that can be found in Wen Boren’s other works, suggesting it might date from his later years. In the foreground is a lofty scholar in a boat resting by some reeds, perhaps being a reflection of Wen Boren himself leisurely admiring the scenery of his hometown landscape.(20100713)&*本作には多種類の樹木が描かれている。多くの葉に赤が用いられ、秋の訪れを告げているかのようであるが、枯葉散る晩秋の寂寥感はない。殺風景な中景に描かれた老木に目をやると、木の幹に用いた点苔が逆に漲る生気を感じさせる。作品全体の山水に生い茂る草木の生命感が満ち満ちている。 山石と樹木の筆遣いはやや粗いが、文伯仁作品に一貫して見られる細やかな描写の数々があり、本作もやはり晩期の作品だと思われる。前景に描かれた葦の傍らに停泊中の小船にいる高士は、故郷林泉の風光を楽しむ画家本人の姿かもしれない。(20100713)