民國林建同梅花四屏 軸
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- 資料識別：
- 贈畫000690N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 林建同
- 主題與關鍵字：
- 梅（白．紅．蠟梅） 竹
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 中華民國四十九年（1960）
- 格式：
- 本幅一至四 119x60公分、全幅一 184x64公分、全幅二 184x60.5公分、全幅三 184x60.5公分、全幅四 184x64公分
- 關聯：
- 林建同（西元一九一一－一九九四年），原名逢欣，廣東新會人。廣州市立美術學校畢業、日本大學社會學士。擅山水，畫梅尤為精絕，倍受賞贊。曾入大風堂，執贅於張大千之門，以求深造。 本幅畫梅枝輾轉伸延，老幹橫斜，屈曲蒼勁，新枝枒杈，雪梅綻放；數筆淡墨竹葉，益顯雅秀韻致。款題：「凌厲冰霜節愈堅，人間乃有此癯仙；坐收國土無雙價，獨立東皇太乙前。」畫成於民國四十九年（一九六○），時五十歲。此四屏為林紀凱、林紀穗女士捐贈。 &*Four Panels of Plum Blossoms Lin Chien-t’ung (1911-1994) Republican Period Lin Chien-t’ung (original name Feng-hsin) was a native of Hsin-hui, Canton. He graduated from the Canton City School of Art and pursued further education in Japan. He specialized in painting landscapes, but his representations of plum blossoms were especially refined and admired by many. He was also a student of the modern master Chang Ta-ch’ien. In this painting, the main branch of a plum tree twists and turns with vigor in this composition that spans four scrolls. The main trunk extends diagonally with new branches sprouting forth vertically and horizontally. The white buds stand out from the grey background and complement the dots of falling snow. With a few brushstrokes in light ink for the bamboo leaves, they suggest an elegant touch of greenery along with the pure blossoms. The inscription on one of the panels, dated to 1960, describes the virtues of the hardy plum blossom with political overtones. These panels were donated to the Museum by Lin Chi-k’ai and Lin Chi-hui.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
